A Quote by Christine Feehan
You're my life, Elle. When we have our children, they'll be included in that circle and I'm not a man to lose everything. I want you as safe as possible." "So you don't think three protection dogs, a room filled with weapons, a panic room and house that eats people isn't just a little overkill?
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All I really want is a three-room house. The home I have designed at my new farm in Bedford, New York, is a three-room house: bedroom on top, living room in the middle, and kitchen on the ground.
I have three children and three dogs. You put them in a Prius, you know? People who have a Prius obviously have no life! No wife, no kids, no pets - there's no room in there for anything!
My writing life has included the struggle to bring up three children. What I do three or four times a year is take myself off to a hotel room to unblock a problem.
Also marvelous in a room is the light that comes through the windows of a room and that belongs to the room. The sun does not realize how beautiful it is until after a room is made. A man’s creation, the making of a room, is nothing short of a miracle. Just think, that a man can claim a slice of the sun.
There's great affection, tremendous loyalty, but anytime you open up the season, when you walk in the locker room, there is a circle, and my obligation to everyone in that locker room is the circle has to be as strong as possible to give us a chance to win.
A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.
You can see my guns at my apartment. The safe room is a special place... It's good to have a safe room in your house. It's storm-proof; we've got food, store supplies, all kinds of stuff.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
I didn't want to be the monster! I didn't want to kill this room full of harmless children! I didn't want to lose everything I'd gained in a lifetime of sacrifice and denial!
The room is a special place. It's not "A room" it's THE room. It's a place where there is no restriction. If we title it "a room" it can be any room but it's THE room so it is a special place. We all have this place. It's like our little corner that you are comfortable with.
My dogs are spoilt for sure. They are pampered pooches. But I love them so much! I guess all dogs need to be washed, but maybe blueberry facials aren't essential. It's quite fun, though. You want to give your children everything; I don't have children, so I want my dogs to have a good life.
A movie is made for an audience and a film is made for both the audience and the film-makers. I think that The Game is a movie and I think Fight Club's a film. I think that Fight Club is more than the sum of its parts, whereas Panic Room is the sum of its parts. I didn't look at Panic Room and think, "Wow, this is gonna set the world on fire". These are footnote movies, guilty pleasure movies. Thrillers. Woman-trapped-in-a-house movies. They're not particularly important.
What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
The weapons room looked exactly the way something called "the weapons room" sounded like it would look.
I think we all have a lot of room to drop and our takeovers were really safe so tonight we're still going to be safe but a little bit more risky than we were this morning and see if we can get our hand on the wall for a medal.
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