A Quote by Christine Lahti
A friend of mine described it this way: When they were born it was like a meteor landed in our house and blew everything apart. We had to just put all the pieces back.
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Before you, Bella, my life was like a moonless night. Very dark, but there were stars, points of light and reason. ...And then you shot across my sky like a meteor. Suddenly everything was on fire; there was brilliancy, there was beauty. When you were gone, when the meteor had fallen over the horizon, everything went black. Nothing had changed, but my eyes were blinded by the light. I couldn’t see the stars anymore. And there was no more reason, for anything.
That's when I hit the ground. So in the instant that that round landed and blew me in the air, I had those separate and distinct thoughts. The guy who was standing right next to where I had been standing had a hole in his back I could put my fist into.
A friend and I flew south with our children. During the week we spent together I took off my shoes, let down my hair, took apart my psyche, cleaned the pieces, and put them together again in much improved condition. I feel like a car that's just had a tune-up. Only another woman could have acted as the mechanic.
Clocks around our house were in danger because I loved to take things apart, and failed to put them back together.
Some people's lives seem to flow in a narrative; mine had many stops and starts. That's what trauma does. It interrupts the plot. You can't process it because it doesn't fit with what came before or what comes afterward. A friend of mine, a soldier, put it this way. In most of our lives, most of the time, you have a sense of what is to come. There is a steady narrative, a feeling of "lights, camera, action" when big events are imminent. But trauma isn't like that. It just happens, and then life goes on. No one prepares you for it.
I think the only way that the U.S. human spaceflight program is going to get really revitalized, really put sort of an Apollo level push on it, is if some other country, perhaps China, were to actually have a landed flight to the moon and brought back our American flag and put it in Tiananmen Square.
Growing up, I didn't have any comic books, at all. But my friend had a trunk full of them, so comic books were like candy for me. I would go over to his house for a sleep-over, and I would just be devouring everything I could get my hands on. I knew the sleep-over was going to be over, and I was going to go back to my house and it was going to be Kipling.
I'd really like to see smart sex writing, writing that can take sex apart and try to put it back together, that doesn't just put a box around "sex writing" and give it glaring neon lights but assumes that sex is part of everything else in our lives.
On 'Cardamom,' I had pretty much total control on all of the musical stuff, but I asked a friend of mine to take the picture for the cover, and I asked a friend of mine to draw the back.
It didn't matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn't heard us calling, still do not hear us, up here in the tree house with our thinning hair and soft bellies, calling them out of those rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will never find the pieces to put them back together.
I think what happens is you write how you grew up. And I was born on the prairie, and so everything is kind of spare on the prairie. And so I'm just used to writing in that way. 'Sarah, Plain and Tall' was that way. And most of my fiction is. I like writing small pieces. Somehow it just suits me.
My parents, the effect that [Frank Sinatra] had on the Italian community, in terms of all our friends at the house were multicultural. We weren't just Italians. My dad's close friend was a black gentleman - this was back in the early 50s when Tony Bennett was reprimanded for having lunch, when he was in the military, with a black man.
When I was growing up, I idolised my father. I thought his ghost followed me around the house. I had been told how he adored me, how I was funny, just like him. Because of our lovely Catholic upbringing, I secretly assumed that he would eventually come back, like our good friend Jesus.
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
It was a long time ago, we were in the office, and we had finished work exhausted. A friend of a friend said 'Hey, take this it will give you energy,' so I thought I'd try it. I didn't know what it was. It made me laugh and laugh, like crazy...to the point that my back hurt' *he holds his hips* 'like I'd just had a baby.
He laid it on George, me and our wives without telling us at a dinner party at his house. He was a friend of George's, and our dentist at the time. He just put it in our coffee or something. He didn't know what it was, it was just, 'It's all the thing,' with the middle-class London swingers. They had all heard about it and didn't know it was different from pot or pills. And they gave it to us, and he was saying, 'I advise you not to leave,' and we thought he was trying to keep us for an orgy in his house and we didn't want to know.
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