A Quote by Christine Lahti

I would take up any small job on the sets, just so that I could hang around with the hope of getting noticed. — © Christine Lahti
I would take up any small job on the sets, just so that I could hang around with the hope of getting noticed.
If I wanted to get my arms as big as I could possibly get them, I would probably do around 20 sets of 4 exercises and 5 sets each for the triceps and 20 sets for the biceps per workout 3 times a week. That would be around 60 sets of triceps and 60 sets of biceps work per week. I would keep the reps between 6 and 8 and I would do all basic movements where I'd handle as heavy a weight as possible. I'd consume nutritious food that had calories in and just flat out eat!
I would be lying, if I said that sometimes it is just a job that you show up for because you're getting paid, and that's important, too. But, if you can be in a state of mind where you enjoy your job, whether it's just a job, or it's actually cathartic for you, or it's something personal. I think it would be much easier to be content with doing a good job.
I always wanted to write when I was a kid; it just never occurred to me that you could have a job that didn't involve any actual work.... I felt it would be fun to have a job like that where you could make stuff up and be irresponsible and get paid for it.
I think it just has to do with getting older and getting better at what it was I was doing, and that I could take something small and kind of take my time with it. I think actually what that has to do with is I quit drinking. Before that I told myself I could only drink if I was - if I was writing, I had to be drinking. So I was on a timer, because eventually you get too drunk to write.
It's tough growing up where I grew up. My family is very small and really tight. Just being around the neighborhood, my brothers were always around. I didn't want to be in any trouble because I knew my mom or brothers would find out. I didn't want to hurt their feelings. I just tried to do everything right.
What do you say to a person who is going to their death? Normally, we would just say, 'Hang in there, keep your hope up,' because there is hope until the very last second.
I started collecting art... simply because I wanted pictures to hang on the wall. I noticed what a difference a picture could make to the ambience of a room, and indeed how shifting work around could change a room's whole feeling.
Its tough growing up where I grew up. My family is very small and really tight. Just being around the neighborhood, my brothers were always around. I didnt want to be in any trouble because I knew my mom or brothers would find out. I didnt want to hurt their feelings. I just tried to do everything right.
The only reason you even start a band is so you can hang out with your friends all the time, but somewhere along the line, it just ends up becoming a job. You were doing it because you were like, 'I never want to have to get a job,' then all of a sudden it becomes the biggest job you could ever imagine.
I'll never forget the day when a woman came up to me and said, 'No, you could never be on a magazine cover. Your face features don't work; your eyes are small, you have a small face but a big nose.' I was only 14 and I had never noticed any of that stuff, you know?
When I used to be a contract player in 1954 at Universal, I wasn't getting good roles. I was getting one-liners, and then I'd be gone. But I'd hang around; I'd watch guys. And when I had days off, which was most days, I'd go down and watch other sets while they were shooting. Watch Joan Crawford or whomever. Just watch how they worked and how the director handled them. I didn't know anything about making movies, and there's a lot to learn.
If you want to blow up hang around me because all of my friends we would hang out and next thing I know they are major worldwide superstars.
Imagine if I'd said, 'I have to be the best actress - I want that and nothing else.' I never would have directed. I never would have produced. I never would have done a beauty line. I would have just worried about getting a job or been frustrated that I wasn't getting the job that I wanted. I was ready to be a businesswoman.
As a black woman I always felt growing up I had to do above and beyond stuff to be noticed, to feel like I could hang with everybody else.
If you don't get noticed, you don't have anything. You just have to be noticed, but the art is in getting noticed naturally, without screaming or without tricks.
By the fourth or fifth record there was not a lot of time to sit around. We [The Replacements] stopped rehearsing. We stopped getting together and rehearsing. We'd perform, and that would take it all out of us. Then we'd be done touring and we'd be sick of each other. We'd never call each other up and hang out.
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