A Quote by Christine McCormick Day
All experiences exist in one time frame.
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But the solution to the riddle of life and space and time lies outside space and time. For, as it should be abundantly clear by now, nothing inside a frame can state, or even ask, anything about that frame. The solution, then, is not the finding of an answer to the riddle of existence, but the realization that there is no riddle. This is the essence of the beautiful, almost Zen Buddhist closing sentences of the Tracticus: "For an answer which cannot be expressed the question too cannot be expressed. The riddle does not exist."
For a long time I've lived with the inadequacy of that frame to tell everything I knew, and I think a lot about what is outside of the frame.
No individual can be in full control of his fate-our strengths come significantly from our history, our experiences largely from the vagaries of chance. But by seizing the opportunity to leverage and frame these experiences, we gain agency over them. And this heightened agency, in turn, places us in a stronger position to deal with future experiences, even as it may alter our own sense of strengths and possibilities.
The photograph as an objective representation of reality simply does not exist. The photograph does not explain to you what is going on to the left or to the right or above or below the frame. Oftentimes, it doesn't even explain to you what is going on inside the frame.
I'm always watching people over a short time frame, putting them in an extreme position. Sometimes you don't see the humanity in a person because the time frame is so short and the circumstance so extreme.
I loved working with Ram Gopal Varma in 'Bhoot.' Surprisingly, he remembered my earlier performances and narrated them to me frame by frame when we met for the first time.
When you get a typical injury, you're given a time frame; you're gradually working towards getting back. With concussions, there is not generally a time frame or a span where you're feeling better. You feel like you're getting better, and it can be one day and you're back to where you started.
The transcendent and the numinous can be accessible to the most materialistic of scientists, without positing the supernatural. At the same time, there is no reason to mistrust the same experiences in believers simply because they posit a supernatural source. The question is not, "Does God exist?" It's irrelevant. The question is whether believers and nonbelievers can rejoice in the same experiences and not denigrate the other's explanation as to the origins of very powerful human responses.
I think Stephen Crane too becomes trapped in a myth that poetry should be operating at a certain level, that there's the real world and the reflection of that real world. I don't exist in any of these historical periods. I exist in the period in which I'm writing the book. So I only attempt to frame this in a way that I myself relate to.
There is also evidence from epidemiological studies that psychotic-like experiences are much more common than has hitherto been thought (with about 10% of the population affected) and that these experiences exist on continua with healthy or 'normal' functioning: instead of the world falling into two groups (the psychotic and the non-psychotic) people vary in their disposition to psychosis and only a minority of people who have these experiences require or seek help.
Time doesn't exist. It doesn't exist in any way. It's more subjective than real. Time doesn't exist. I believe in memory. Memory is the real inspiration. Memory creates time. Memory is pure power. Pure power and pure strength, and pure utilization of space and time (if time is something we can really ever label). But I don't believe in time itself.
I want to bring Americans into some experiences they ordinarily would not consider. Experiences in Latin America, people in Latin America, I want to bring them closer to those people, and I know I have to work extra hard at my craft to reach across these increasing chasms, these gaps that exist between different kinds of Americans, and that's the work of the artist, is to create these works that sort of help us understand our time.
I describe the variety of different kinds of experiences I had, from seeing into the future to being inside the body of a bird and feeling the bird consciousness, to being in a plane of existence with beings that do not exist on this planet at all. And I described my experiences to shamans who started to laugh, saying, "Oh, we know those guys."
Everything can happen, everything is possible and probable. Time and place do not exist; on a significant bases of reality, the imagination spins, weaving new patterns; a mixture of memories, experiences, free fancies, incongruities and improvisations.
Photography has always been capable of manipulation. Even more subtle and more invidious is the fact that any time you put a frame to the world, it's an interpretation. I could get my camera and point it at two people and not point it at the homeless third person to the right of the frame, or not include the murder that's going on to the left of the frame. You take 35 degrees out of 360 degrees and call it a photo. There's an infinite number of ways you can do this: photographs have always been authored.
Mindfulness helps us freeze the frame so that we can become aware of our sensations and experiences as they are, without the distorting coloration of socially conditioned responses or habitual reactions.
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