A Quote by Christine McVie

Music left my life for a while, to be honest. It wasn't that I didn't like it, but you know, I'm not really a solo player. — © Christine McVie
Music left my life for a while, to be honest. It wasn't that I didn't like it, but you know, I'm not really a solo player.
Introvert conversations are like jazz. Each player gets to solo for a nice stretch before the other player comes in and does his solo.
There's nobody who knows the left better than I know 'em. I know the left like I know every square inch of my gloriously naked body, not just the back of my hand. I know them. I know them better than they know themselves because they refuse to be honest about who they are really are and what they really believe, but I am.
The guitar player that I'm doing my solo tour with, Angel Vivaldi, he's been releasing incredible guitar albums and people just don't really know about them because instrumental guitar isn't really at the forefront of music these days.
I think the most exciting thing is that you expect people our age to know the music, but actually a lot of kids know the music, and if anything is left, we have left really good music, and that's the important part, not the mop-tops or whatever.
I've never been a rap guy, I don't really know that much about rap music, to be honest. I like it, but I think what really happened was just my music seems to work so well with rap music.
Introvert conversations are like jazz, where each player gets to solo for a nice stretch before the other player comes in and does his solo. And like jazz, once we get going, we can play all night. Extrovert conversations are more like tennis matches, where thoughts are batted back and forth, and players need to be ready to respond. Introverts get winded pretty quickly.
I don't want any production credit. I think producers are overrated. They're for people who, first of all, don't know anything about music or arranging and have no ear for their own doings. They can't tell a good solo from a bad solo, stuff like that.
Music is really everything I know. To be honest every experience I've ever had has been brought up from music and everything I do is because of music. I don't know anything else, I think about music before I go to sleep and it just really is everything that I am.
I think [game music] is something that should last with the player. It's interesting because it can't just be some random music, but something that can make its way into the player's heart. In that sense, this not only applies to game music, but I feel very strongly about composing songs that will leave a lasting impressionWhat I must not forget is that it must be entertaining to those who are listening. I don't think there's much else to it, to be honest. I don't do anything too audacious, so as long as the listeners like it, or feel that it's a really great song, then I've done my job.
There is a beauty to touring - to be honest, there's a way that music connects and you really feel the actual reaction of people to the music that you're making, and I feel like if I didn't do that I just wouldn't know, and I don't think my music would be the same.
A lot of the other things in my life like making music, you know that's a very collaborative thing so I work on comics because it's not something that's a solo activity.
Life is a guy trying to play a violin solo in public, while learning the music and his instrument at the same time.
I think by having solo projects, it allows us to expand our music range. There's a type of music and concept we can do as a group and do as solo artists.
Music was such a love of mine. It was my way of exploring life, my internal world. To be honest, I don't really know why or why not. It's just seems life without it would be death.
I'm solo, and I love being solo. I believe I went through the Roses so I could become a solo music-maker. That's what I believe.
...black music is a group music. That's why I don't like doing a solo saxophone thing: My feeling stems from rhythm, I really have to feel that rhythmic thing happening.
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