A Quote by Christine McVie

I write about unrequited love in a very optimistic way. — © Christine McVie
I write about unrequited love in a very optimistic way.
Theres so many other things to write about than unrequited love.
There's so many other things to write about than unrequited love.
I think there's nothing more painful for anyone than unrequited love. If you've ever had that kind of physical access to someone and then, all of a sudden, that is denied, and yet you're still in love with that person, it's very, very, very painful to be around that person in a certain way.
Let the message go out - a new generation has taken charge of Labour which is optimistic about our country, optimistic about our world, optimistic about the power of politics. We are optimistic and together we will change Britain.
The struggle is how to write optimistically when the world we're living in is not inherently optimistic. I love the idea of the family from the most Norman Rockwell version to Norman Bates. Without family, we have very little - it is the most basic social structure. So yes I suppose I wanted to write a hopeful book about the evolution of the family.
Unrequited love–plain desperate aboveboard boy-chasing–turned you into a salesperson, and what you were selling was something he didn't want, couldn't use, would never miss. Unrequited love was deciding to be useless, and I could never abide uselessness.
To love someone properly probably means that you won’t be very popular. Pure love, loving the way it was intended, is unfortunately a foreign concept to many. Love is messy. Love will involve hardship, demand patience, require forgiveness, test maturity, strain friendship, challenge priorities, refine character, ignite the heart and unleash the soul. Love is not something you sing about, it’s the reason you sing. Love is not something you write about, it’s the reason you write. Love is not something you live to find, it’s the reason that you are alive.
I'm very optimistic, but I'm optimistic about individuals, not institutions.
The science about life is very optimistic. Every second, four people in the world die, and six are born. This is optimistic.
I love to write. I used to be a math teacher. And I like the idea that other people could write about the same subjects, but no one would write it just the way I do. It's very individual: a child could write the same story as somebody else, but it wouldn't come out the same.
It was always about love. Always, always about love. Lost love, love denied, the obsessive hunger for love. Parental or romantic. Whether it was twisted or pure, fulfilled or unrequited, love was always at the source.
I'm very optimistic about the future. I'm just not optimistic about the skyscraper as a building typology that is suited for the future.
I didn't want to be apologetic about my love story, and I think to be willing to write about love you have to be willing to sound foolish. I wanted to write about foolish and goofy love and different relationships. I wanted to write about interracial relationships in a way that does not pretend as if race does not exist.
I got into the business because I love writing. When it came down to finding my voice, which every writer has to take time to do, I think I realized I write black people very well. I write us in a very honest way, and I want to hear the way we really talk.
It takes me a very, very long time to write a story, to write a piece of fiction, whatever you call the fiction that I write. I just go about it blindly, feeling my way towards what it has to be.
I've always written about people who have very abstracted in a certain way. I write about scientists and artists and musicians. I write about people who live in their heads who are very obsessed about a certain set of details in the physical world.
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