A Quote by Christine McVie
I couldn't go anywhere unless there was a security guard with me. That spoiled my life. It was like being in captivity. Those days are gone, and I don't ever want to see that happen to me again. Now I can wander around the streets of Los Angeles on my own. I like it that way.
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Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town!
I don't miss anything ever. Because to me, missing something is like going backward a little bit. I don't miss being in a punk band. For me, 'SNL' is like... this is gonna sound overly dramatic, but... the way I am, it feels like I'm a soldier, so it was like, 'What do you want me to do? Put me anywhere. Do you want me to do these sketches? Great.'
I have stood aside to see the phantoms of those days go by me. They are gone, and I resume the journey of my story.’ (David Copperfield) “But all that night he lay awake because the phantoms of those days were not gone. Like the tiny, terrible holes in the prophylactics, the phantoms of those days were not easy to detect—and their meaning was unknown—but they were there.
I didn't think I'd do movies in Los Angeles. I never thought it would happen. In fact, it was not a fantasy. For me, I said, 'If ever I go there, they will ask me to do 'Legally Blonde 5.'
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
I become friends with people in each city who can show me around. Like if someone came to Los Angeles they wouldn't really know where to go, so they'd have to call me up and then I'd show them around.
Every little pocket of Los Angeles County is almost like its own state. It has its own way of being and own way of feeling, and parts of it feel like the Midwest, and parts of it feel like the East Coast. It's a rich tapestry.
The most romantic thing someone did was surprise me at the airport, after being away for 3 months in Los Angeles. You always see people with signs, and you're like, 'Isn't that lovely?' and then you see your own name on one - that isn't a taxi driver's! I was very impressed.
I want to capture and express that passion I see in life all around me to go wild, to push into anywhere we can, and make of those places new domains for life.
Now for me, you're the irreplaceable one: I've never see you up so close before, and I do not understand you at all. You say sometimes I act like I don't see you? I don't even know where to look! Living with you around is like is like living with a permanent dazzle. The fact that you even like me, or look at me, or brush by me, or hug me, or hold me, is so surprising that after it's over I have to go back through it a dozen times in my head to savor it and try and figure out what it was like because I was too busy being astounded while it was happening.
When I'm in Los Angeles, it's hard to be creative. For me, New Orleans is one of those places that's like a muse. You can hear music on the streets. There's a certain character the city has that inspires you when you're needing to write lyrics and come up with melodies and come up with rhythm and blues. The city has a pulse and it's an inspiration for me.
I'm always looking for ways to connect myself with American people and that American feeling. I'm trying to pick up on the feeling of places, like the Los Angeles feeling or the New York feeling... Los Angeles is much better for me that way.
Los Angeles has been great to me, and I have a home there, and I'm so lucky I get to do what I do for a living. But I did not go down to Los Angeles really even with the intention of staying.
Los Angeles is Hollywood and Hollywood is Hollywood Blvd. It's the first thing you want to see. It's the only thing really that you know about as far as Los Angeles is concerned. And so you go and you look at Joan Crawford's hands and feet and the whole history of American filmmaking is encapsulated in that one little area on that one street. That street, to me, has always been the street of dream.
Whenever there's a red carpet event coming up my trainer in LA that I see, I always come to her like three days before and go, 'Can you make me really thin in three days?' She's always like, 'If you come to me consistently all throughout the year, then yes I can. When you come to me with three days and ask to lose 10 pounds it's just not going to happen.' I'm like, 'Do your best. Please. Make me skinny.'
I thought the world had actually ended. I thought nothing good could ever happen again. I thought anything might happen if I wasn't vigilant. I didn't eat. I didn't go out. I didn't want to see anyone. But I survived, Paul. Much to my own surprise, I got through it. And life...well, gradually became livable again.
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