A Quote by Christine McVie
I tend to go for these half-little-boy characters.
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Who will cry for the little boy, lost and all alone?
Who will cry for the little boy, abandoned without his own?
Who will cry for the little boy? He cried himself to sleep.
Who will cry for the little boy? He never had for keeps.
Who will cry for the little boy? He walked the burning sand.
Who will cry for the little boy? The boy inside the man.
Who will cry for the little boy? Who knows well hurt and pain.
Who will cry for the little boy? He died and died again.
Who will cry for the little boy? A good boy he tried to be.
Who will cry for the little boy, who cries inside of me?
Any mother with half a skull knows that when Daddy's little boy becomes Mommy's little boy, the kid is so wet he's treading water.
In the modern world, it may be that a living father can only be half a father to a boy - the dead father is the other vital half: the half that grows the boy up once and for all.
I see myself as half country boy and half city boy, so I need both to balance me out. I couldn't spend all of my time in either place.
The Little Boy and the Old Man Said the little boy, "Sometimes I drop my spoon." Said the old man, "I do that too." The little boy whispered, "I wet my pants." I do that too," laughed the little old man. Said the little boy, "I often cry." The old man nodded, "So do I." But worst of all," said the boy, "it seems Grown-ups don't pay attention to me." And he felt the warmth of a wrinkled old hand. I know what you mean," said the little old man.
The characters I tend to play are a little more interesting than the standard heroes. Romantic leads can be a little more straightforward, I guess. But it just seems to be the parts I get, I don't know what that says about me. I enjoy interesting characters and interesting people, I suppose.
I tend to write about towns because that's what I remember best. You can put a boundary on the number of characters you insert into a small town. I tend to create a lot of characters, so this is a sort of restraint on the character building I do for a novel.
I tend to use a lot of movement in both camera and characters, and I also tend to give characters a lot to physically do.
...It's all sort of dreams and it's all illusion. It's theater; it's not real. We're making up stories, you know, and people tend to run into you and believe you are your characters. And I suppose the funny thing is the longer you go, you do become sort of some version of [your characters]. You both diverge from them - you know - you live, but you also permanently inhabit that geography and that mental space - and so you do morph a little bit. We do become what we imagine.
I have wrought my simple plan If I give one hour of joy To the boy who’s half a man, Or the man who’s half a boy.
The Little Mute Boy The little boy was looking for his voice. (The king of the crickets had it.) In a drop of water the little boy was looking for his voice. I do not want it for speaking with; I will make a ring of it so that he may wear my silence on his little finger In a drop of water the little boy was looking for his voice. (The captive voice, far away, put on a cricket's clothes.) Translated by William S. Merwin
I'm lucky that the characters that I get tend to be interesting and a little schizophrenic.
When you've got a lot of slaves at your command, you tend to get a little bit fat. You tend to get a little bit lazy. You tend to get a little incompetent because there's not much that you do for yourself anymore.
I gazed around the room and my eyes stopped dead on a little boy standing in the corner. This was a particularly eerie doll. Life-sized and blond-haired and blue-eyed. I saw a little Nazi boy, pockets probably stuffed with scissors and retractable blades. My grandfather on my mother's side was rumored to be half Jewish, which practically makes me Jerry Seinfeld's brother, and thus wary of blond German boys with their hands out of sight.
If I took my characters home with me, half of my life would be a misery, I think. No, I tend to compartmentalize work from my life. I'm not terribly method.
I used to do little sketches into my cassette tape recorder when I was a little boy. I would just turn it on and just start doing voices and characters. I just loved it.
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