A Quote by Christine Pelosi
Fault lines run along color lines in American public life, and the women’s movement is no exception. Over the years, feminism has become more inclusive but there is still hard work to be done to include LGBT women and communities of color.
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Fault lines run along color lines in American public life, and the women's movement is no exception. Over the years, feminism has become more inclusive but there is still hard work to be done to include LGBT women and communities of color.
We're still expected to color within the lines of accepted femininity, and women who step out of those lines are usually attacked, whether verbally or physically.
I hope that upon this scorched earth we have planted the seeds of ideas that will bear the fruit of more diverse and inclusive stories that include people of color in the LGBT community.
I think feminism has always been global. I think there's feminism everywhere throughout the world. I think, though, for Western feminism and for American feminism, it not so surprisingly continues to center Western feminism and American feminism. And I think the biggest hurdle American feminists have in terms of taking a more global approach is that too often when you hear American feminists talk about international feminism or women in other countries, it kind of goes along with this condescending point of view like we have to save the women of such-and-such country; we have to help them.
There still aren't enough[ roles for women of color]. And I'd say that's the case, not only for African-American women, but for all women in the Hollywood game. It's just slim pickings, and a very challenging time for us. I think that's why more of us need to work our way behind the camera in order to create roles that really illuminate who women are. We still have room for growth in that area, without a doubt.
I think as more women are in positions of power, more people of color are in positions of power, the stories become more inclusive; the casts become more inclusive.
It's not enough just to elect people of color and women of color and progressives. We need to make sure that they have a work plan and that they are - continue to align with the communities that helped get them to where they're at.
Young feminists have been sold a bill of goods about American feminism. The enormous changes in women over the past 40 years are constantly and falsely attributed to the organized women's movement of the late 1960s and '70s.
Radical militant feminist believes that women of color and Black women in particular have written the cutting edge theory and really were the individuals who exploded feminist theory into the directions that has made it more powerful. So I see us as the leaders not just of Black people and Black women in terms of feminism but in terms of the movement as a whole.
Melody and harmony are like lines and colors in pictures. A simple linear picture may be completely beautiful; the introduction of color may make it vague and insignificant. Yet color may, by combination with lines, create great pictures, so long as it does not smother and destroy their value.
All year there have been these cover stories that the women's movement is dead and about the death of feminism and the post-feminist generation of young women who don't identify with feminism - and then we have the biggest march ever of women in Washington. More people than had ever marched for anything - not only more women, but more people.
Women of color: if you're over 40 and you get fat, you will work. But if you're hot and over 40 and a woman of color, they don't know what to do with you.
My hope as an actress is knowing that I'm someone who is more privileged - I'm biracial and lighter-skinned - and I hope it can open up the door for more women of color, especially darker-skinned black women. I hope everyone hops on the bandwagon and decides to start putting women of color in movies that aren't just about race.
When we talk about feminism - equality without apology for all - we can't be talking about for all white women or all highly educated women but all women, regardless of color, class, creed, sexual orientation or identity.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
The script is the coloring book that you’re given, and your job is to figure out how to color it in. And also when and where to color outside the lines.
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