A Quote by Christine Taylor

I can't stand the club scene. — © Christine Taylor
I can't stand the club scene.

Quote Topics

I can't stand the club scene. It's all about impressing people.
By the time I started doing stand-up, the club scene had died.
I like the dueling club scene, where Daniel and I fight with our wands. I thought it was a brilliant scene to shoot. I think the end product looked really good.
Schalke are my club. I used to stand on the terraces as a fan, and I've realised my dream of making it as a pro right here at my club.
I'm sorry, but I stand by my decision. I am now a member of the elite club of people that have fought a professional team mascot. You sir, are not in that club.
I have a nervous breakdown in the film and in one scene I get to stand at the top of the stairs waving an empty sherry bottle which is, of course, a typical scene from my daily life, so isn't much of a stretch.
The club scene is terrible.
Once again it is peaceful at Augusta National Golf Club, after some rather ugly stand-offs in recent years, when the club balked at changing its all-white, all-male membership tradition. African-Americans and female Americans are on the club manifest now along with other golf-Americans, and all is serene once again.
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time.
I started in the club route. I did the alternative scene later on. When I lived in New York, I did the Luna Lounge and stuff, where Janeane Garofalo and David Cross and all those guys worked out of, but I came from a comedy club background. I'm proud of that background. I'm one of the people that really crossed over and did both.
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
Stand-up is not just an American thing anymore. It's global. In some places, stand-up comedy is brand new. South Africa has only had a scene for 15 years.
I think that the reason my records are able to live forever in the club is because I actually like to be in the club. I don't go to the club to do VIP or get bottles or nothin' - I go to the club, I enjoy the people, I see what the people are vibin' off, and I see what makes me go crazy in the club also, and that has a lot of influence on what I bring to the table when I'm thinking of making a big club record.
I do understand it's not easy to run an I-league club. I have been part of many and I know the scene.
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