A Quote by Christine Vachon

Theatrically seeing a movie with a group of people and having a collective experience has an authenticity that you can't get with your big screen television. — © Christine Vachon
Theatrically seeing a movie with a group of people and having a collective experience has an authenticity that you can't get with your big screen television.
I need to create a whole cinematic experience. I think that's what it takes to get the audience to the theater and justify seeing [a movie] on a big screen. You have to give them a cinematic experience.
I love the movies. Everyone always says the same thing about the shared cultural experience, seeing things on the big screen, the church of the cinema... But on top of all that, as a filmmaker, I love having people be trapped in a movie theater, forcing them to watch what I made.
There's a different experience when you're reading a book rather than when you're seeing something on screen. When you're seeing a movie or TV show, it's a three-dimensional experience you're in the middle of, but when you're reading something, you're suppling the reality with your imagination.
If a movie is really working, you forget for two hours your Social Security number and where your car is parked. You are having a vicarious experience. You are identifying, in one way or another, with the people on the screen.
I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.
I will personally never ever get over the communal experience of theatrical cinema. I will never get over the scale of a big screen in relation to your small body, big sounds in a big room with a bunch of other people.
If the picture is not an artistic picture, it's show, like television. Television series are very funny, but it's a collective production. An industrial art. A car is not made by a person, it's made by a group of creators, only to go to the market to buy your cigarettes. That is a car - they are not a big art, they are a little art.
I firmly believe that you can't get a good movie without risking a bad movie. A good adaptation of your book is worth it because it is such a wonderful experience to see your world translated onto the screen.
I love seeing my characters big up there and I would have liked to have reached a different public in movies from my television public. There's still a part of me that wishes that my character range could be seen on the big screen. Rather, as Rod Steiger was, because he was a big influence on me - about becoming other people and not worrying about your own glory or self esteem but sacrificing yourself to become somebody else.
I'm one of those people, when I see a film, I believe it to be true. You know, sort of the authenticity of the camera and seeing things on a screen.
There's nothing that compares to actually being in a room and having that sense of collective experience, feeling the music in your body and having all these people around you.
Looking for happiness in the body, mind or world is like looking for the screen in a movie. The screen doesn't appear in the movie, and yet, at the same time, all that is seen in the movie is the screen. In the same way that the screen 'hides' in plain view, so happiness 'hides' in all experience.
It's tough to get any movie made, but unless it's a movie about race or culture or ethnicity, it's becoming less and less important who's playing what. You see that on the big screen and the small screen, and I think that's great. That's exciting.
I'm in a constant conflict about having to make a movie for the big and the small screen at the same time, stylistically. So I just basically make it for the large screen.
I think Hollywood is an incredible tool to teach people. It brings stories and information to the television screen, to the movie theater screens, that people get to empathize with.
When you see a struggle that you may be having personally put on a big screen and in a roomful of people, then it makes you feel less crazy or alone, because you're seeing that other people are dealing with it too. You get to see in this imaginary scenario how people might try and answer some questions or deal with some problems.
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