A Quote by Christo
We never work on only one project because we never know if we will get permission for a project. So, for 'Over the River,' we started in 1992. I was just finishing 'The Umbrellas' in Japan and California, and I was also working on getting permission to wrap the Reichstag.
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The other work we started in 1992, it is called Over the River, Project for the Arkansas River in the state of Colorado, we haven't got the permit yet. And, we are working at both of those, trying to get the permit. Therefore, we do not know which one will be realized next.
If, before undertaking some action, you must obtain the permission of society-you are not free, whether such permission is granted to you or not. Only a slave acts on permission. A permission is not a right.
"I'm going to show you I haven't given you permission because clearly you're not grown up enough to understand that, not having given you permission, you can't just come look in my house." And I won't know if they're coming and looking or not... so I put a piece of tape over it.
I don't know whether they will give me a project just because I am cooperative and behave nicely, but it really helps. I never demand for anything or never throw tantrums at work.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
The world needs women who stop asking for permission from the principal. Permission to live their lives as they deeply know they often should. I think we still look to authority figures for validation, recognition, permission.
Acting is a job of permission. Someone has to give you permission to do it. But I have started to be like, 'I only want to do things that I want to do,' and writing has afforded me the luxury.
I was asked, "How did you get pictures that look like this?" It doesn't happen today because now everybody has to have permission. But what you're looking at, is the product of somebody who has been given permission to work with raw materials and not be bothered. These are good examples of having carte blanche.
The federal government's role is to establish a process whereby industry can pitch a project, and Canadians can be reassured that this project is worth the risk. That's at the heart of governments granting permits and communities granting permission. People understand we do need economic growth. We do need natural resource projects.
I never had a lot of ideas. I always have exactly one that is the next project; the idea of a project beyond that project is ludicrous.
When I was 16 or 17, when I started, I never even considered not doing a project. I just wanted to work.
In captivity, one loses every way of acting over little details which satisfy the essentials of life. Everything has to be asked for: permission to go to the toilet, permission to ask a guard something, permission to talk to another hostage - to brush your teeth, use toilet paper, everything is a negotiation.
It's the first time in the history of the world that creatives are also distributors. And that's very profound if you think that up until the recent history, permission was required for us to be able to share work at any sort of scale. We had to get permission from galleries, from ad agencies or photo editors to be able to have our work out there. And now anybody with access to a computer can show their work in 200 countries around the world.
It is important to remember that when it comes to law, computers
never make copies, only human beings make copies. Computers are given
commands, not permission. Only people can be given permission.
I'm ridiculously fortunate to get a chance to experience the sitcom world. The schedule is extremely easy, and you get fed as an artist because you're not only working on a project, but you get to work with cameras, and you get the audience there.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
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