A Quote by Christo

The work of art is a scream of freedom. — © Christo
The work of art is a scream of freedom.

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Our work is a scream of freedom.
I did a lot of screaming in 'The Originals,' and I hurt my voice so badly that I said, 'I can't scream if you want me to be able to work for, like, the next three days.' So, what I usually do is that I scream once in the season, and we'll just use that scream, all throughout, or extend it, or do whatever we need to do.
Art is on the side of the oppressed. Think before you shudder at the simplistic dictum and its heretical definition of the freedom of art. For if art is freedom of the spirit, how can it exist within the oppressors?
Contrary to popular belief and hope, people don't usually come running when they hear a scream. That's not how humans work. Humans look at other humans and say, 'Did you hear a scream?' because the first scream might have been you screaming inside your head, or a horse backfiring.
I expect art to make me scream, art to reveal soul.
I did know that I could do scream very well. When I was in high school, I got a very strange job one Halloween filming screams for a radio station. I would just go into a soundstage and scream and scream and scream, and everybody would put on ear plugs, so I had an inkling.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
Art is freedom. If we don't have that element, we don't feel human anymore. Art is not decoration or a function. Before all that, art is art. This connection to meaning - our inner, intuitive knowledge - is something.
We hold in our hands, the most precious gift of all: Freedom. The freedom to express our art. Our love. The freedom to be who we want to be. We are not going to give that freedom away and no one shall take it from us!
In so many places in the world, women have been prisoners for so long that they feel they have to scream about their rights. But when you scream, nobody listens to you. Real authority comes when you no longer need to scream - and that's something we women still need to learn.
What is it about a work of art, even when it is bought and sold in the market, that makes us distinguish it from . . . pure commodities? A work of art is a gift, not a commodity. . . works of art exist simultaneously in two “economies”, a market economy and a gift economy. Only one of these is essential, however: a work of art can survive without the market, but where there is no gift, there is no art.
That's the real excellent scary part, that feeling, and that feeling won't come if the lady from next door is there and your mom won't ride the ride, because what brings on that feeling most is when your mom rides wedged in tight with you and your brother on nights like this, when your mom will scream the excellent scream, the scream that people you see in snatches on the boardwalk stop and stare for, the scream that stops the ride next door, the scream that tells us to our hearts the bolts have finally broken.
There's always a down side with any freedom. It's not just homosexual freedom, but any sexual freedom comes at a price, and that is usually art.
art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.
It is the people who scream the loudest about America and Freedom who see to be the most intolerant for a differing point of view.
I love photography and I love the art of photography. So when I'm working with high-level art photographers, I give them artistic freedom because I want that for myself when it's my turn to do my work and I never try and control it or say I'll only do this or I want it like that.
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