A Quote by Christofer Drew

I'm friends with everybody, I love everybody. I trust everybody because they don't give me reasons not to you know what I'm saying? So, if everybody just trusted everybody and if everybody just loved everybody then we'd live in a perfect world... you know what I'm saying? I mean, why not?
I'm friends with everybody. I love everybody. I trust everybody because they don't give me a reason not to.
The scene in the DMV now is very united. I don't know if it's for everybody but everybody is showing love, everybody is showing support. Everybody is just trying to make a name for themselves and they are willing to help other people. Everybody is willing to network and do things with people outside of who they know.
Everybody knows that the boat is leaking. Everybody knows the captain lied. Everybody got this broken feeling, like their father or their dog just died. Everybody talking to their pockets. Everybody wants a box of chocolates and a long-stem rose. Everybody knows.
Everybody has the blues. Everybody longs for meaning. Everybody needs to love and be loved. Everybody needs to clap hands and be happy. Everybody longs for faith. In music, especially this broad category called jazz, there is a stepping-stone to all of these.
Everybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody. Everybody has their story to tell.
I don't think any of us ever trusted Nashville. When you're in that town you know everybody is talking about everybody else. Everybody is wishing for the other guy to fail.
So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on New Girl, and what my experience on Veronica Mars was like. Everybody was just so great.
So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on 'New Girl,' and what my experience on 'Veronica Mars' was like. Everybody was just so great.
The thing is, everybody wants to be famous. Everybody wants to be successful. Everybody wants to be that dude, but not everybody wants to do the work for it. And I think that's probably one of the reasons why there's so many juniors and only a couple that make it. Because I really wanted it. I wanted it real bad.
Everything about the movie 'Dope' is real artistry, and everybody put their full hearts and souls into it. It's a passion project; it's not one of those things everybody got paid a million dollars to do. Everybody on there wanted to do it. Everybody there believed in the project, and we just went for it. We all love each other.
Capitalism can be alright, I mean Karl Marx didn't live to see what Roosevelt did with that Depression. He pulled everybody out of that Depression and everybody hated Franklin Roosevelt. He got into office four times. One after the other, with everybody saying, he can't get in again. Everybody voted for Roosevelt four times and he did a hell of a lot.
I'm saying, that just kept, messing it up for everybody! And then everybody on your team doesn't have that drive that you have.
This level of competition is extremely high. Everybody is trained. Everybody has a game plan. Everybody has a nutritionist. Everybody has everything. It's here that you realize, as people, we're all equal.
The egos in this industry are incredibly vulnerable and everybody's afraid to wipe out. So everybody plays it safe and everybody tells everybody else how great they are.
I mean, it just seems to me that everybody wants to get on each other, everybody wants to attack everybody.
My father says that almost the whole world is asleep, everybody you know, everybody you see, everybody you talk to. He says that only a few people are awake and they live in a state of constant total amazement.
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