A Quote by Christoph Niemann

Simplicity is not about making something without ornament, but rather about making something very complex, then slicing elements away, until you reveal the very essence.
People think making jokes about something is just going to cause trouble. But actually, not making jokes about something is a type - and this sounds very pretentious - of apartheid.
There is something very strange and unsettling for me about making a work that doesn't fit with what's the norm or what's acceptable. There's something both liberating about it and challenging. I can imagine it doing more harm than good.
There is something about someone making a fantastic sandwich, taking care to spread lots of mayo all the way to the edges. Making sure every bite has a bit of everything in it. There's something special about that.
I'm just into making quality stuff if I can, with interesting people and good scripts. But it's very important that it's about something and that it says something. Otherwise, I don't know what the point is, really.
Signature film-making seems rather dull to me; it's about finding something you can do something with and running with the ball.
I like making series, for a couple reasons. One, the repetition of routine is very healthy because I can get a little crazy; I want to be making things all the time. And if I publish something every week, I don't have to put every idea I have into one piece. It's more like, here's one idea: execute it, see it through, think about it, do it the best you can. And then there are going to be ten more ideas that come while you're making that, because creativity works that way.
As an artist, expectations are basically your enemy. If you're truly making something to make it, then you're not thinking about anything else except what you're making.
Often, especially young artists, you feel like you should be doing something. And I think that can be very destructive because creativity is about connecting with the stuff that's deep inside you and making something out of that.
Thai food ain't about simplicity. It's about the juggling of disparate elements to create a harmonious finish. Like a complex musical chord it's got to have a smooth surface but it doesn't matter what's happening underneath. Simplicity isn't the dictum here, at all. Some westerners think it's a jumble of flavours, but to a Thai that's important, it's the complexity they delight in.
In my eyes, making art is very often about something that you don't know.
There's something very satisfying about making anything with your hands.
The duty of the artist is not to be calculating in any sense, so that he may be free himself of human emotions while carried by the universal forces of life. Only then does one not think about making art, or about styles, or directions. Something comes about, something happens.
I think something that is never really spoken about is the learning process of making records - I made my first record at twenty one and learned so much about record making from that before making 'Bomb In A Birdcage' a couple of years later.
One of the things I love about music and making beats is making something and watching someone's reaction, knowing you can do something to manipulate the way people move or act.
For us it's always about making sure that there's substance, that things are well thought out, they're real, they're going to happen versus just haphazardly making Hollywood type announcements. So that's where we are there [on Comic-Con], just making sure that when we do something to say that it's something.
I'm very happy with this new record. It's dealing with different aspects of love-it's me making a statement about people doing something with their lives. It is about caring for others.
This site uses cookies to ensure you get the best experience. More info...
Got it!