A Quote by Christoph Waltz
To be fair, on a good project, no matter whether it's improvised or scripted or meticulously prepared, or all up for grabs, it's always, always beyond the safety zone. Every project becomes interesting and exciting once you move beyond that routine. You always aspire to that. It's not that this improvisational mode is the only mode that facilitates that.
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I never had a lot of ideas. I always have exactly one that is the next project; the idea of a project beyond that project is ludicrous.
I have been told by persons of experience in matters of taste, that the fashions follow a law of gradation, and are never arbitrary. The new mode is always only a step onward in the same direction as the last mode; and a cultivated eye is prepared for and predicts the new fashion.
Usually right when I'm feeling it, right when it's happening, I always find I need to be in some sort of survival mode or mature mom mode, so it always seems to come later that I have the breakdown.
There's always a moment that tilts the scales of the project, and it's always different in every project.
As part of Depeche Mode, I don't think it's right for me to be using my own songs for a solo project. I'm not a very prolific songwriter, so I keep those for Depeche Mode.
We are part and parcel of a single and all-encompassing evolutionary current that is itself Spirit-in-action, the mode and manner of Spirit's creation, and thus is always going beyond what went before-that leaps, not crawls, to new plateaus of truth, only to leap again, dying and being reborn with each new quantum lurch, often stumbling and bruising its metaphyscical knees, yet always getting right back up and jumping yet again.
Spirituality points, always, beyond: beyond the ordinary, beyond possession, beyond the narrow confines of the self, and - above all - beyond expectations. Because "the spiritual" is beyond our control, it is never exactly what we expect.
What I believe is that people have many modes in which they can be. When we live in cities, the one we are in most of the time is the alert mode. The 'take control of things' mode, the 'be careful, watch out' mode, the 'speed' mode - the 'Red Bull' mode, actually. There's nothing wrong with it. It's all part of what we are.
I always look forward to the next project. That is one of the wonderful things about architecture - you always can hope for another project to design.
When you hear Beast Mode, you automatically go to my size, but I always say the strongest thing I own is not my chest, my legs, not my arms. It's my mind. It's that mindset that says: Look, you're not always going to succeed but don't take it as a loss, take it as a lesson. That's the mindset of Beast Mode.
I've always followed my enthusiasm. Whether the pictures have turned out good or not is one thing - but I've always had a lot of enthusiasm for the project at hand.
There is no sphere in which a human being can be supposed to act where one mode of reasoning will not, in every given instance, be more reasonable than any other mode. That mode the being is bound by every principle of justice to pursue.
We need to be in the open mode when we are pondering a problem, but, once we come up with a solution, we must then switch to the closed mode to implement it.
I've been offered lots of movies. There's always some actor who's doing a project and would like to have me do it. But you look at the project and think, 'Gee, there are a lot of good directors who could do that.' I'd like to do something only I can do.
I guess confidence is the only thing that I take from project to project, but I'm always open to learning everybody's style - the director, the actor I'm working with.
It's not a great feeling for a film to suffer financially, but you can't sit and mope about it. You just have to just move on to next project - I try to always be working on a new project when my last one hits the theaters.
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