A Quote by Christoph Waltz
I think in Europe, movies are made like a commodity and then sold as art.
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I love movies; I grew up loving movies. I've always loved movies. I never thought about making movies until I took art classes and then I started studying different artists. As you study paintings, you see light and shadow, of course - Rembrandt, Eugène Delacroix. You start to understand the relationship between people and art, and images. For me, between movies that I watched and art, it was like, I'd love to make moving art. Moving pictures.
What is it about a work of art, even when it is bought and sold in the market, that makes us distinguish it from . . . pure commodities? A work of art is a gift, not a commodity. . . works of art exist simultaneously in two “economies”, a market economy and a gift economy. Only one of these is essential, however: a work of art can survive without the market, but where there is no gift, there is no art.
I don't think ever before in the whole of human history has so much art been made, bought, and sold. It's a massive international business. So, I think there's a lot of reasons why the art world as opened up and I think on the whole, it's far better for it.
So much of our culture is bought and manufactured - not to say great art can't come out of that. Some art is really amazing that is manufactured and sold, like action movies and stuff.
I made a body of work, which was like trying to make movies on a wall and was made up of all different images and materials. I had the aspiration to make movies because I thought that was the cycle. I had this insane egomaniac idea that I could make movies because I made these gigantic art projects.
There is quite an important director in Germany who I think in the early fifties over here, and then went back, and he said something that's absolutely true. And it's more important to repeat that today than it ever was. Not for you, but for us over there it is important. He said, 'In America they make movies like art, and sell it like commodities. We make make movies like commodities and sell them like art.'
I have completed and uncompleted screenplays, but they both fall into the category of “unsold.” I've seen quite a few movies where the screenplays seemed to be in the “uncompleted” category yet still got sold and made into movies, so I generally refer too all screenplays as “sold” or “unsold.” But that's just my own filing system.
I was lucky that one of my first movies, 'One Million Years B.C.' was made in Europe by a British company. The Brits, and a lot of the rest of Europe, seemed to really love exotic women. The fact that I was American and exotic just made me more appealing to them.
In Hollywood, they make movies like they make washing machines. It's a business. In Europe, the films are considered art. No producer would ever tell a director where to cut a film or how to re-write the script. I love Hollywood, but all of the time I have to go back to Europe.
Anything commodity-like will be sold online. The world is going to trade commodities like it trades stocks.
The art market was very different before the mid-1980s: then, art was all about passion, whereas now it's become a commodity.
To think of writing poetry as a "career" is not only ridiculous, it's dangerous. To the imagination. To the way one thinks of art. The reason poetry as a genre is so special is because it cannot be made a commodity.
I'm a person who likes these sort of movies... sad but moving 'art movies' that normally are at a festival and then they go to a small art house theater and disappear.
There are the movies that should never be made and resist being made until, through sheer brute force, somebody finally makes it. And then, there are the movies you can't stop from being made because they just want to be made.
Even Boris Johnson doesn't think there's going to be a United States of Europe. ?And I think there's a real question here that you're being asked to make a decision that's irreversible we cant change it, we wake up on Friday and we don't like it, and we're being sold it on a lie because they lied about the cost of Europe, they lied about Turkey's entrance to Europe, they lied about the European army because we've got a veto for that they put that in their leaflets and they've lied about this here tonight too and its not good enough you deserve the truth you deserve the truth.
Borat shows American stereotypes of Eastern Europe but it's an accurate depiction of what a certain type of American is. They think they can buy and sell these girls and then they get bought and sold.
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