A Quote by Christoph Waltz

Europeans still believe that working is for living. Americans often have that the other way around. — © Christoph Waltz
Europeans still believe that working is for living. Americans often have that the other way around.
Europeans have it better than the Americans. The Americans work too hard. The balance is out of whack. Europe's hung onto a little bit more of living a life and then working as well.
Though I don't have any serious argument with Neil Gaiman's 'American Gods', I believe that Americans cease to be Europeans - the land makes them become Americans. You see it happening all the time when you travel around America.
Whereas Europeans generally pronounce my name the right way ('Ni-klows Wirt'), Americans invariably mangle it into 'Nick-les Worth'. This is to say that Europeans call me by name, but Americans call me by value.
Look at the chaos of European history. Europeans cannot believe in certainty. But Americans believe in certainty. Americans think this can go on like this forever. Just as it is. No change.
The socialism I believe in isn't really politics. It is a way of living. It is humanity. I believe the only way to live and to be truly successful is by collective effort, with everyone working for each other, everyone helping each other, and everyone having a share of the rewards at the end of the day. That might be asking a lot, but it's the way I see football and the way I see life.
Women, who are the prime victims of religion, and perhaps in some, stockholm syndrome effect, often form the most fervent advocates of the very thing that degrades them. I believe that in the end, it will be women who will turn this around. This should be the final stage of feminism. For a feminist to still believe in god is like a freed slave still living on the plantation.
Europeans are far more anti-war than Americans. They've had more wars, and they really just don't believe in it any more. But Americans do.
The vast majority of Americans believe you don't discriminate. You don't. We honor each other. We don't all see life the same way. We don't. We're Americans.
Now 10 percent of this population [in Iceland] of 330,000 people were born elsewhere - Polish, North Africans, Europeans, Americans - people are coming from all over. It is still changing society in a good way.
My working hours are not that conventional. I often get up about two in the morning and do a painting, and then I'll have a bath, and then I often feel very hungry around 4am, so I'll go into Soho and have a meal somewhere like Balans. That's what I love about living here - there's always life around me.
Europeans believe in democracy - or, at least, in republican government - but they have considered the alternatives, and continue to do so, and that scandalizes Americans.
The Crucifixion and other historical precedents notwithstanding, many of us still believe that outstanding goodness is a kind of armor, that virtue, seen plain and bare, gives pause to criminality. But perhaps it is the other way around.
You've got to deploy serious political assets around a plan [in Darfur]. And the George W.] Bush administration has never had a plan. Ever. The Europeans don't want to do anything, saying, "The Americans are in charge of that." And in fact the Americans are in charge of naming it and bringing these resolutions every few weeks to the Security Council.
Americans give you the violence, Europeans give you the sex. I think people have been saying that since the 70s. And I think it's kind of pathetic that Americans are still stuck - on the shock value of violence, when sex is such a natural thing for everybody.
It's not the '80s any more. We're not all riding around in limousines and snorting coke off of hookers' tits. We still have to keep working and touring. We're definitely still very much a working band. If we stopped doing this tomorrow, we'd have a little bit of cash to last us a couple of months, and then we'd have to go and get other jobs.
I think often I learn the most from other people's mistakes. If I'm in the audience watching an actor and thinking, 'I don't believe you,' I spend the rest of the play working out why I don't believe them.
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