A Quote by Christoph Waltz

You see, my version of why anyone would want to become an actor is that it's some psychological fixation, something that happened in puberty that you didn't outgrow in time, which is normal. Nevertheless, if you make it a profession, it can be really neurotic.
Letting go of fixation is effectively a process of learning to be free, because every time we let go of something, we become free of it. Whatever we fixate upon limits us because fixation makes us dependent upon something other than ourselves. Each time we let go of something, we experience another level of freedom.
Every time I see something about the Wild West, I'm reminded that our version of history may not be what really happened.
If the Universe came to an end every time there was some uncertainty about what had happened in it, it would never have got beyond the first picosecond. And many of course don't. It's like a human body, you see. A few cuts and bruises here and there don't hurt it. Not even major surgery if it's done properly. Paradoxes are just the scar tissue. Time and space heal themselves up around them and people simply remember a version of events which makes as much sense as they require it to make.
I told myself, 'All I want is a normal life'. But was that true? I wasn't so sure. Because there was a part of me that enjoyed hating school, and the drama of not going, the potential consequences whatever they were. I was intrigued by the unknown. I was even slightly thrilled that my mother was such a mess. Had I become addicted to crisis? I traced my finger along the windowsill. 'Want something normal, want something normal, want something normal', I told myself.
I always really curious to see how people interpret things. I know my version, and I'm kind of bored with my version so I want to see their version.
As an actor, I don't have any politics. As an actor, I'm driven more by an authentic - I would say an obsessive-compulsive-disorder level-fixation on mimicry, tonality of voice, to literally imitate something until I can just disappear into it.
I think it's more normal to make a movie dealing with love, sexual or not, than to make movies about bank robberies, which very rarely happen in real life. So I would say the problem is not what some people feel is normal, I would say the problem is why this whole industry is far more obsessed with filming scenes of dominance, guns, invasion.
People really want to think that these things really happened. I don't know why that important, but I know that when I finish reading a novel or something, I want to know how much of that really happened to this author.
People really want to think that these things really happened. I don't know why that is important, but I know that when I finish reading a novel or something, I want to know how much of that really happened to this author.
I don't think most people decide to become an actor because they want to be followed around all the time... I see it when I'm with my brothers, and I don't get it. I don't understand why someone wants to take a photo of us getting out of a car or on the beach. I think that's really weird.
There is something about a home aquarium which sets my teeth on edge the moment I see it. Why anyone would want to live with a small container of stagnant water populated by a half-dead guppy is beyond me.
I've been for 10 years trying to make something out of my life as an actor. I've learned a lot but I haven't done much that's worthwhile. So maybe if I make people wonder what I really do look like and make myself unrecognizable, they will be interested and intrigued, which eventually, of course, happened.
I don't want to become a star. I never wished to become an actor, even when I am here. When you decide to become an actor, you've to choose why you're doing it. Are you doing it to become an actor or because you want to be famous? I am doing it because I love being in front of the camera.
I wonder why anyone would hesitate to be generous with their writing. I mean, if you really want to make a living, go to Wall Street and trade oil futures ... We're writers. We're doing something that is inherently a generous act. We're exposing ourselves to the muse and to the things that frighten us. Why do that if you're not willing to be generous? And paradoxically, almost ironically, it turns out that the more generous you are, the more money you make. But that's secondary. For me, the privilege of being generous is why I get to do this.
You see Michelangelo and Picasso and you read literature. I had some innate inchoate yearning for that, but I never really saw where I would fit in. That's called art. And then something happened to pop music, which is that it became art under the hand of the Beatles, the Stones, and Bob Dylan and some other people.
In Hollywood, you tend to get pigeonholed to certain genres, and then when you try to do something different, it's not always so easy. Obviously, you don't want to keep repeating yourself, all the time. So, it's a constant struggle for every filmmaker and actor to find something that you can really feel passionate about. It's a profession like anything else.
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