A Quote by Christophe Agou

When I use the camera, I often feel likeI know part of the people or places I come in contact with. — © Christophe Agou
When I use the camera, I often feel likeI know part of the people or places I come in contact with.
There are so many people that don't come in contact with black men. Whether they live in a homogeneous area that's mostly white or whether they live in places where they don't have to come in contact with them. So what kind of contact do they have with African-American males? They have the media, and that's it.
I have received the digital camera as a blessing. It has really changed my life as a filmmaker, because I don't use my camera anymore as a camera. I don't feel it as a camera. I feel it as a friend, as something that doesn't make an impression on people, that doesn't make them feel uncomfortable, and that is completely forgotten in my way of approaching life and people and film.
When you think about the worst places humans come into contact with, they are often our health environments.
I was convinced I'd hate Twitter - but I've come to like it very much. I use it mostly to keep in touch with friends and colleagues I wish I could see more often - I sometimes feel a little isolated living in Yorkshire, and it's nice to have the contact.
When you're an actor, you often feel victimized - you see the end result, 'Oh, they didn't use this take; they didn't use that take. How come?' There's no 'How come?' with the director. There's only one person to look at. Walk over to the mirror if you want to know why. But I prefer that.
In concert, I often try to feel the audience and feel their way of hearing. If I feel that there is no contact between the audience and the music, I try to look stronger within myself, hoping that this will lead to a better contact.
I've always said as a political scientist that "culture" is what we use when we can't explain things. I think it's more about accessibility. Part of the problem is that this is an expensive game [golf]. I know in a couple of places where there are black members, and they come from pretty much the same socioeconomic level that the white members come from.
I hate cameras. I hate cameras and I hate camera phones. The camera's my worst enemy and my best friend. It's the way I convey my emotions to the world without saying a word, so I use it. People always say, 'You come alive as soon as the camera's on!'
I'm trying to use the camera to get into people's heads. I use camera techniques a lot to articulate character.
I feel more like a creative artist using photography because there's - the digital work is so interesting now. It's come to that. I have had many different stages of photography - there are many different ways to take photos. But I feel now I'm in that stage of my life where I use the camera, you know, in that way.
Some cameras are heavier and need to be on tripods. Others are small enough to hide in your pocket. There are places where you don't want to feel like you are disturbing anything, so I may use a camera like that.
My main camera is a Nikon D3. I use a French camera from the 1800s for wet plate photography, I use a Hasselblad sometimes. But to me the camera really doesn't matter that much. I don't have a preference for film or digital.
We're all just a part of this large, spiraling, constantly fluid hierarchy and changing. At some points in your life, you feel crushed by that, depending on who you come in contact with.
We know that the most dangerous places in the world are more often than not the most dangerous places for women, where women are denied their rights and oppressed. These are the places that are unstable and where extremism often takes hold.
I feel like people often say I am not good at controlled shots or hitting it low, and I feel I'm very good at it, just don't need to use it as often.
I have more of a relationship with the subject than I do with my camera equipment. To me, camera equipment is like a tin of shoe polish and a brush - I use that as a tool, but my basic camera is my emotion and my eyes. It's not anything to do with the wonderful cameras I use.
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