A Quote by Christophe Lemaitre

I'm happy when I see a girl on the bus, or on the street, and start wondering about her. Sometimes I see a woman and I ask myself: Who is she? You want to know what her job is. Who she is? You start fantasizing. There's a certain aura, a certain charm that we try to reproduce.
The way I see it, truth only looks good when you're looking at it from far away. It's kind of like that beautiful girl you see on the street when you're riding past in the bus... there she is, this amazing girl walking by on the street, and you think if you could only get off this stupid bus and introduce yourself to her, your life would change. The thing is, she's not as perfect as you think, and if you ever got off the bus to introduce yourself, you'd find out... This girl is truth. She's not so pretty, not so nice. But then, once you get to know her, all that stuff doesn't seem to matter.
Sometimes if somebody you feel you need... the whole universe tells you that you have to have her, you start watching her favorite TV shows all night, you start buying her the things she needs, you start drinking her drinks, you start smoking her bad cigarettes, you start picking up her nuances in her voice, you sleep in safe sometimes the most dangerous thing... this is called Mojo Pin.
We see many sides of her, beyond the 'Ballad of Mulan.' We see her as a human being, as a girl, as a young woman. Everybody admires her as a warrior but is there a fragile side to her? Will she sometimes hesitate or be afraid, but still choose to carry on? Yes, and we see that.
Ever argue with a female and, in the middle of the argument, you no longer feel safe because of her actions? She may start pacing back and forth real fast, breathing out her nose. You know what my girl do? When she get mad, she start talking in the third person. That's scary as hell because that's her way of telling me that from this point on, she is not responsible for none of her actions.
Every day I hold my breath until I see her. Sometimes in class, sometimes in the hallway. I can't start breathing until I see her smile at me. She always does, but the next day I'm always afraid she won't. At lunch I'm afraid she'll smile more at BT than at me. I'm afraid she'll look at him in some way that she doesn't look at me. I'm afraid that when I go to bed at night I'll still be wondering. I'm always afraid. Is that what love is - fear?
A woman will test you to see if you are what you say you are. Any woman that you fall in love with: She loves you too, but she's going to try you; that's her nature. She has to know that she can depend on you; she has to know that you will stand up for her. She has to know that you will back up the children that she brings in the world for us.
We would be driving down the street in a place like Zaire, now the Democratic Republic of Congo, and started to see, my gosh, the only people that have shoes are men. Why does that woman have a baby in her belly and one on her back, and she's carrying a huge load of bananas? You start to ask these questions.
It's important for all types of women to know that you don't have to fit a prototype of what one person thinks is beautiful in order to be beautiful or feel beautiful.... People think, Sexy, big breasts, curvy body, no cellulite. It's not that. Take the girl at the beach with the cellulite legs, wearing her bathing suit the way she likes it, walking with a certain air, comfortable with herself. That woman is sexy. Then you see the perfect girl who's really thin, tugging at her bathing suit, wondering how her hair looks. That's not sexy.
I'm all about making my girl feel like she's the only woman in the world. Whether it's telling her how special she is or showing her with gifts and romantic dates, I want to make her happy.
I try to see the whole woman,' Eddie said to Hannah. 'Of course I recognize that she's old, but there are photographs - or the equivalent of photographs in one's imagination of anyone's life. A whole life, I mean. I can picture her when she was much younger than I am - because there are always gestures and expressions that are ingrained, ageless. An old woman doesn't see herself as an old woman, and neither do I. I try to see her her whole life in her. There's something so moving about someone's whole life.
a few days ago she had been wandering around with a swatch of black silk tied over her eyes. Syrio was teaching her to see with her ears and her nose and her skin, she told him. Before that, he had her doing spinds and back flips. "Arya, are you certain you want to persist in this?" She nodded. "Tomorrow we're going to catch cats." "Cats." Ned sighed.
I want a little black girl to pick up my book one day and see herself as the star. I want her to know that she's beautiful, and she matters, and she can have a crazy, magical adventure even if an ignorant part of the world tells her she can never be Hermione Granger.
Once she was certain, she didn't waiver. I had to make her stop for water or a bite to eat. She obeyed, but she was restless. As clear as if she spoke to me, she was saying, "Very well, I know you want to keep my strength up, but scent fades, you know!" And I'd say, "I know, girl, buy you're what I have and I'm going to take care of you.
And there is the girl. When I first see her and her dun mare from my vantage point on the cliff road, I am struck first not by the fact that she is a girl, but by the fact that she's in the ocean. it's the dreaded second day, the day people start to die, and no one will get close to the surf. But there she is, trotting up to the knee in the water. Fearless.
Where woman has taken her place in business she has found her method ready-shaped for her, and following that, she does her work,if with a certain amount of monotony, yet without undue fatigue. Her hours are fixed, and as a rule she gets needful change of scene as she goes to her business and returns to her home or the place where she lives. But the "home- maker" has not, nor can she have, any such change, and her hours are always from the rising of the sun beyond the going down of the same.
And I ask myself what it is about me that makes this wonderful, beautiful woman return. Is it because I'm pathetic, helpless in my current state, completely dependent on her? Or is it my sense of humour, my willingness to tease her, to joke my way into painful, secret places? Do I help her understand herself? Do I make her happy? Do I do something for her that her husband and son can't do? Has she fallen in love with me? As the days pass and I continue to heal, my body knitting itself back together, I begin to allow myself to think that she has.
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