A Quote by Christopher Atkins
I figured that, if you do a vampire movie in Hollywood, you've made it.
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There was one vampire movie that Gerard Butler was in, 'Dracula 2000,' and they touched on something interesting, but it only worked in the context of that particular movie, which was that the original vampire was Judas.
I figured, when I make a movie, especially earlier in my career, one thing I was going to make sure was that the movie doesn't cost a lot and that it has potential to make a lot of money. That's how you get respect in Hollywood.
I read the books the day before I had met with the director Catherine Hardwicke. The first I heard of it was my agent called and said, 'Do you want to be in a vampire movie?' and I said 'No.' I thought it was like a zombie, blood-and-guts, vampire movie.
You know nothing... And suppose the vampire who made you knew nothing, and the vampire who made that vampire knew nothing, and the vampire before him knew nothing, and so it goes back and back, nothing proceeding from nothing, until there is nothing! And we must live with the knowledge that there is no knowledge.
Hitchcock was one of the few people in Hollywood who had a brand. Every movie he made was an Alfred Hitchcock movie, couldn't have been anyone else.
I do not proactively approach Hollywood, but also I do not always turn down offers. But since I'm living as a movie director, I have a desire to shoot something like 'This is a Hollywood movie!' at least once in my lifetime.
Do you even really know how vampires are made?' 'Well, when a mommy vampire and a daddy vampire love each other very much.
I personally have never made a movie in Hollywood, because I don't want to get up in my own bed and then go to the movie set, and then come home at night to my real life.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
Hollywood never knew there was a Vietnam War until they made the movie.
You know, what's popular? Okay, vampires are very popular. Let me make my vampire movie. I'm not saying you can't make a vampire movie. But if you're going to do one do something crazy. I mean don't just get a bunch of, like I said, models and make them into vampires so you'll get an audience. You know maybe get some ugly vampires for a change.
There was a period that black film had no chance of making it in Hollywood. So, people just made the made the statements that they wanted to make. Whether it was a science fiction film or whatever, b/c they were just making movie for themselves. Then there was a period where people were creating projects as their Hollywood audition 'pieces'. I feel that today we are moving back to the era where we all have our own voices.
I was very happy with Vampire's Kiss, which in my opinion was almost like an independent laboratory to start realizing some of my more expressionistic dreams with film performance. Then using what I had learned in Vampire's Kiss and putting it into a very big action movie in the form of Face/Off with John Woo. If you look at those two movies back to back, you can see where I stole from my performance in Vampire's Kiss.
I don't really know [who my favorite vampire is]. I always think, 'Ethan Hawke in Interview with a Vampire,' and someone will say, 'He's not the vampire. He's the interviewer.'
I love vampire stories. That's why I did the movie. Women especially were taken with that movie-even more so when it came out on video.
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
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