A Quote by Christopher Atkins

One of my favorite stories is my first kissing scene with Linda Gray. — © Christopher Atkins
One of my favorite stories is my first kissing scene with Linda Gray.
I have kissed in almost all the films except in 'Once Upon A Time In Mumbaai.' I'm not sure if my kissing on screen has anything to do with the success of a film, but producers make sure to put a kissing scene or two. They feel my kissing scenes are my lucky streak.
Whenever I read a script, I don't differentiate between a kissing scene or an emotional scene.
Gray goes with gold. Gray goes with all colors. I've done gray-and-red paintings, and gray and orange go so well together. It takes a long time to make gray because gray has a little bit of color in it.
We live in a gray world, and I want to tell gray stories.
I wouldn’t treat a romantic scene any differently than any other scene. I would really say the biggest preparation was chewing gum and breath mints! For a kissing scene, it’s all about the breath mints!
I wouldn't treat a romantic scene any differently than any other scene. I would really say the biggest preparation was chewing gum and breath mints! For a kissing scene, it's all about the breath mints!
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
Sometimes kissing is better than sex. Especially kissing someone for the first time
My favorite album is 'Ram' by Paul and Linda McCartney.
Vancouver is one of my favorite places on earth. It's gray and rainy there a lot of the time, but for some reason, even though it's gray and rainy, I feel like it's a sunny day.
I've tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
It's like you might have some great scene that you love but for some reason - and you can't necessarily put your finger on it - the movie's not working or it seems slow or ponderous in some way, and even though it has your favorite scene in there, actually the favorite scene is the culprit. That's the painful thing about editing, is trying to locate those things that are holding the movie back and then having the guts to cut them. And it is painful to do it.
I first met Linda Lawrence in March 1965 in the green room of 'Ready Steady Go!,' the British pop TV show. Linda was a friend of one of the co-hosts. She had an art-school vibe, and after a brief conversation, I asked her to dance to a soul record playing. As we jazz danced, I fell in love.
I woke up this morning,” Gabriel said, “thinking of nothing more than rolling over and pulling you into my arms and kissing you again. Kissing: only kissing. As if I were a green boy of fourteen. In case you don’t realize it, Kate, kissing is not a man’s usual inclination in the morning.
Linda's in all the songs. 'Sunshine Superman,' 'Hampstead Incident,' 'Young Girl Blues'... Linda's the muse.
Most of the stories I have covered in 45 years have been gray stories.
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