A Quote by Christopher Bailey

It is the clash of two different worlds that makes British-ness unique - we have an aristocratic, noble history, but it is always contrasted with something rebellious.
The Muslim world, with its history and cultures, and indeed its different interpretations of Islam, is still little known in the West. The two worlds, Muslim and non-Muslim, Eastern and Western, must, as a matter of urgency, make a real effort to get to know one another, for I fear that what we have is not a clash of civilisations, but a clash of ignorance on both sides.
I think I always had, like, a rebellious spirit. But it wasn't a rebellious spirit to do wrong. It was a rebellious spirit to do something different.
History is always written by the winners. When two cultures clash, the loser is obliterated, and the winner writes the history books-books which glorify their own cause and disparage the conquered foe. As Napoleon once said, 'What is history, but a fable agreed upon?
If you sit down with British officers or British senior NCOs, they understand the sweep of history. They know the history of British forces not just in Afghanistan but the history of British successful counter-insurgencies - Northern Ireland, Malaysia.
To me, everything in the world comes down to two categories: "about-ness" and "is-ness". "About" represents or describes something, while "Is" is the thing itself.
Being different and thinking different makes a person unforgettable. History does not remember the forgettable. It honors the unique minority the majority cannot forget
I keep telling this story - different people, different places, different times - but always you, always me, always this story, because a story is a tight rope between two worlds.
I have never said that human society ought to be aristocratic, but a great deal more than that. What I have said, and still believe with ever-increasing conviction, is that human society is always, whether it will or no, aristocratic by its very essence, to the extreme that it is a society in the measure that it is aristocratic, and ceases to be such when it ceases to be aristocratic. Of course I am speaking now of society and not of the State.
No two languages are ever sufficiently similar to be considered as representing the same social reality. The worlds in which different societies live are distinct worlds, not merely the same world with different labels attached.
'Notting Hill?' Does that poke fun at being British? Maybe it does. In 'Mickey Blue Eyes,' that's kind of the point: the clash of worlds, the unlikely combo of a respectable Englishman and a mob guy. If you take out the Britishness, you don't really have much.
There are different worlds, endless worlds, and different beings come from different worlds. In my particular case, I come from the stillness. We call it the dharmakaya, the clear light of reality. I know it quite well.
[Into the Badlands] wasn't going to be two days of a splinter unit at the end of the shoot. The action and the martial arts had to be integral to the show. That's what makes it unique, that's what makes it special and different and ground-breaking. No one has attempted this before on American television.
I'm a big fan of Lady Gaga. I think she's kinda what modeling is about in a way: Unique-ness, different-ness, edginess, quirkiness is actually special and I think her message is - I wouldn't say it's exactly like my message - but there are similarities in embracing your uniqueness. When she talks about being born this way, I really think she's absolutely fabulous.
The youth in India tend to be rebellious, as with everywhere else, and that makes Shiva exciting. He has the rebellious qualities that the youths like.
For me, aesthetically, Donatella Versace represent what the Italian woman is. There is always the American rock thing, the aristocratic, above-the-rest British manner, but Italy is at the heart of it.
Science fiction has always been a means for political comment. H.G. Wells' 'The War of the Worlds' wasn't about a Martian invasion - it was a critique of British colonialism, and... 'The Time Machine' is really an indictment of the British class system.
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