A Quote by Christopher Benfey
Emily Dickinson liked to shock people. She liked to break rules. There was a kind of rebellious freedom in her inner world.
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Some readers may be disturbed that I wrote 'The Secret Life of Emily Dickinson' in Emily's own voice. I wasn't trying to steal her thunder or her music. I simply wanted to imagine my way into the head and heart of Emily Dickinson.
I think if a girl who liked 'Party Down' found out that her boyfriend liked 'Two and a Half Men,' she would break up with him.
I knew that our time together was almost over, I asked her if she liked sports, she asked me if I liked chess, I asked her if she liked fallen trees, she went home with her father, the center of me followed her, but I was left with the shell of me, I needed to see her again, I couldn't explain my need to myself, and that's why it was such a beautiful need, there's nothing wrong with not understanding yourself.
Emily Dickinson has haunted my life - her poems, her persona, all the tales about her solitude. Ever since I discovered her in the seventh grade, I've had a crush on that spinster in white, who had such a heroic and startling inner landscape of her own.
This is the secret I kept from you, Bails, from myself too: I think I liked that Mom was gone, that she could be anybody, anywhere, doing anything. I liked that she was our invention, a woman living on the last page of the story with only what we imagined spread out before her. I liked that she was ours, alone.
I liked Amy Winehouse a lot. I liked the way she did what she wanted, and she wasn't fazed about the press being on her back. I loved her songs so much.
Even the best critical writing on Emily Dickinson underestimates her. She is frightening. To come to her directly from Dante, Spenser, Blake, and Baudelaire is to find her sadomasochism obvious and flagrant. Birds, bees, and amputated hands are the dizzy stuff of this poetry. Dickinson is like the homosexual cultist draping himself in black leather and chains to bring the idea of masculinity into aggressive visibility.
When she liked anyone it was quite natural for her to go to bed with him. She never thought twice about it. It was not vice; it wasn't lasciviousness; it was her nature. She gave herself as naturally as the sun gives heat or the flowers their perfume. It was a pleasure to her and she liked to give pleasure to others.
I liked her…I really liked her. I wanted to protect her. I approached her in a gentle, playful manner, because she's so precious and I wanted to hold her in my arms because she's so carefree. She was my treasure.
Stick Boy liked Match Girl, He liked her a lot. He liked her cute figure, he thought she was hot. But could a flame ever burn for a match and a stick? It did quite literally; he burned up quick.
I have been in love with Emily Dickinson's poetry since I was 13, and, like an anonymous post on findagrave.com says, 'Dear Emily - I hope I have understood.' Emily's poems are sometimes difficult, often abstract, on occasion flippant, but her mind is inside them.
I have a little tiny Emily Dickinson so big that I carry in my pocket everywhere. And you just read three poems of Emily. She is so brave. She is so strong. She is such a sexy, passionate, little woman. I feel better.
Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.
My mother was born in June and later, feeling a vacancy, chose her birth month for her middle name. Marry to marry, had kids because that's what was done. Liked crossword puzzles, liked lilac trees, liked baking in the sun, and liked Bing Crosby.
I liked that about her. I liked how laid back she was, when she wasn’t trying to stab me.
I once had a friend who did the hair for sci-fi movies, and after a particularly bad break-up I stupidly went to her salon and told her she could do anything she liked. She dyed the bottom cherry red and the top peroxide blonde.
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