A Quote by Christopher Bollen

There is a value to moving more slowly through a story. — © Christopher Bollen
There is a value to moving more slowly through a story.
It is not good for all our wishes to be filled; through sickness we recognize the value of health; through evil, the value of good; through hunger, the value of food; through exertion, the value of rest.
In my lifetime, the world has become better, not worse. And the world is moving, very slowly but surely with more democracy and more liberal way of thinking, more inclusion and more diversity.
Compromise is moving in the right directlon more slowly than one might like.
It is only through meditation that slowly slowly more consciousness is created within you, more light is created; more watchfulness, witnessing, happens. And that is the miracle of awareness: if you become aware of anger you become a master of anger. Then it is up to you whether to be angry or not. You are absolutely free to be this way or that way.
I've always been into 'fast-paced, don't bore 'em, keep it moving along, stick with the story.' You know: tell a story the way I want to hear a story. I find it more rewarding to write for kids, but I also find it a little easier, because you can just let loose a little bit more in terms of fantasy and stuff.
One must practice slowly, then more slowly, and finally slowly.
I see everybody arguing about what the value of music should be instead of what I think the bigger conversation is, which is that music has value, it's subjective and we're moving to a new era where the audience is taking more responsibility for supporting artists at whatever level.
From my own perspective, I value productivity more than tradition, but the customs of the House evolve slowly.
The birth of a new fact is always a wonderful thing to experience. It's dualistically called a "discovery" because of the presumption that it has an existence independent of anyone's awareness of it. When it comes along, it always has, at first, a low value. Then, depending on the value-looseness of the observer and the potential quality of the fact, its value increases, either slowly or rapidly, or the value wanes and the fact disappears.
It was, when I read it, I thought, such a beautiful script. I loved the story. I thought it was well handled. I thought it was even more moving because it was a true story and that made it even more poignant.
Something like 'Psycho,' which is this psychological thing that slowly, slowly, slowly builds, and actually it's a much more powerful reaction you have when it assumes that you're intelligent as you're watching it. I want them to make me believe that whatever's happening could really happen, and then it becomes much more frightening.
Information is moving - you know, nightly news is one way, of course, but it's also moving through the blogosphere and through the Internets.
London perpetually attracts, stimulates, gives me a play and a story and a poem, without any trouble, save that of moving my legs through the streets... To walk alone through London is the greatest rest.
I think the way I love talking about my faith is through my story because I think that's all we have to work with sometimes. I think it's the most moving way to share your story, too - is what you know, what you've seen and heard and tasted and felt.
Some people skip through life. Others are dragged through it. I sometimes wonder if we are moving through time, or whether time is moving through us. Light, unlike anything else in the universe is not effected by time. Light exists outside of time.. It is still a mystery to physicists.
I try to think as little as possible, at least while working. I look at some of my early stories and can see the machination behind them, like a gear slowly moving. For example, sticking a dead father into the story to explain a character's sadness and bad decisions, or trying to impress myself with my own cleverness.
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