A Quote by Christopher Bollen

There is something very romantic about the orphan figure in American literature. — © Christopher Bollen
There is something very romantic about the orphan figure in American literature.
The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass
Harry's status as orphan gives him a freedom other children can only dream about (guiltily, of course). No child wants to lose their parents, yet the idea of being removed from the expectations of parents is alluring. The orphan in literature is freed from the obligation to satisfy his/her parents, and from the inevitable realization that his/her parents are flawed human beings. There is something liberating, too, about being transported into the kind of surrogate family which boarding school represents, where the relationships are less intense and the boundaries perhaps more clearly defined.
The future, for me, is romantic, I don’t understand people who say the past is romantic. Romantic, for me, is something you don’t know yet, something you can dream about, something unknown and mystical. That I find fascinating.
It was a time after 'Lady Sings the Blues' and 'Mahogany' and all those romantic movies: I became this romantic figure on the street in a very special way.
I am fine with my books being categorized as African-American literature but I hope they are also considered Haitian-American literature and American literature. All of these things are part of who I am and what I write.
To a true-blue professor of literature in an American university, literature is not something that a plain human being, living today, painfully sits down to produce. No; it is something dead.
The American Dream is a romantic notion but it's newer - not as pretty. You go to Europe, and it says something about the type of person you are. You're in search of something more intimate and more about yourself.
I really don't see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty. If ever I get married, I'll certainly try to forget the fact.
When I went to college, I majored in American literature, which was unusual then. But it meant that I was broadly exposed to nineteenth-century American literature. I became interested in the way that American writers used metaphoric language, starting with Emerson.
In terms of romantic films, all-time romantic films, I really like 'Gone With the Wind.' And I realize I sound so cliched saying that, but there's something so absolutely romantic about it.
For the longest time, I didn't even want to admit I was serious about music. Before the Shins, I would tell myself, 'Oh, I'm going to figure something out someday.' I had this romantic vision of being this old dude maybe making guitars or something.
The main reason I decided to study Latin American literature was because I'd gotten somewhat bored by the American fiction I was reading. I am not drawn to a specific style or aesthetic. When I think about literature, I think about it in the three languages I read easily - English, Spanish, and Portuguese. The authors I prefer are all very different and are not limited to certain genres or even certain time periods. Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.
In my first class at the University of Kentucky, my American Literature professor came in, and the first sentence out of his mouth was "The central theme of American Literature is an attempt to reconcile what we've done to the New World." wrote that down in my notebook, and thought, "What is he talking about?" But that's what I think about now. The New World and what we've done to it.
I moved here when I was 20 to go to college. After I moved here, I became much more aware of the importance of the culture and literature to my life. Sometimes when you're immersed in something, you just don't notice it very much. Moving away makes you appreciate your culture. Living here, I've thought more and more about India, and what being Indian-American means to me. And it's made me incorporate things from Indian literature into my own writing.
Something like 'Rust and Bone' would be a dream. Very pared down. 'Orphan Black' is such a challenge. I just need something that isn't as full-on intense as that.
People know where romantic comedies are going. It's not brain surgery to figure out the end of a romantic comedy.
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