A Quote by Christopher Cross
In the tradition of the classic songwriter rooms like The Bluebird in Nashville, Strange Brew is a gift to the music community in Austin, for artists and audiences alike
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The big stadiums get totally packed, and everyone knows the words, and it's screaming young girls. I met a whole bunch of great Nashville musicians, and they accepted me in their community. Classic rock and country music go well together.
After each performance of an Austin Shakespeare production, audiences are invited to stay for a ten-minute discussion of the work. And this tradition continues in our New York run.
Recording in Nashville was absolutely essential to get the sound, the musicians, the atmosphere, the warmth... There are just cult places like that in the world, like Chicago for the blues or New York for jazz. Nothing sounds the same in Nashville as it does elsewhere. Nashville is the Mecca of country music and everyone knows it.
... coming to a place like Nashville, which is just music music music, it's always been such an influence on me. And there are so many interesting songwriters out there, and it's such a crazy business and so many people are trying to do it, and it's all right there in Nashville.
Yeah, I always listen to both classic and newer folk-influenced music. Singer-songwriter, alternative music. I also listen to more experimental dance music.
It's something that Cory Morrow said to me a long time ago - "Don't ever forget why Nashville is Nashville. The Opry is there for a reason. Country music lives there. Don't be bitter. And don't ever treat Texas or Nashville like either one isn't important."
I find artists like Tim Barry, Cory Branan, and Jenny Owen Youngs, these current artists that are doing what they're doing now are my idols, my generation's incredible songwriters. I've listened to so much music on the whole ride and I'm inspired by a lot of classic artists, but it's the people right next to me singing songs that are blowing my mind, if that makes any sense.
That's what I love about Nashville and the music community - seeing kids around acoustic music and bluegrass picking parties is the best.
In 1985, I went to work for MTM Records, Mary Tyler Moore's Nashville record label, and stayed three years. After that, I spent two years as an independent promoter, then worked for MCA Nashville Records, DreamWorks Nashville, and Universal Music Nashville.
We saw a need to develop a community for artists to get their music out to the masses. With MySpace, when they went out on tour, they could actually tour nationally. The band might have 20,000 friends on their list and send out a bulletin saying, 'I'm going to be in Austin on Tuesday night. Come see our show.'
Mentorship is really important. I really like to talk to people who have been in the music industry much longer than me about artists' block, things I'm struggling with, or the music business. It's really important for artists to have a community. Sometimes you can feel quite isolated.
I was a staff songwriter for Combine Music Publishing in Nashville for seven years. I'd sit around with a groups of friends with a Yamaha piano and a tape recorder and crank out songs.
'Neil Young Heart of Gold', that was a valentine to Nashville and country music in the Grand Ole Opry tradition and Hank Williams.
Nashville is wicked. It's like a proper music community, but it's also quintessentially American. You bump into people there with cowboy hats that spit in jars and call you 'boy.' I just love that.
Most recently we've been working in concert situations rather than clubs. because there aren't too many rooms there like Ronnie Scott's, that are pure music rooms, where people come specifically to listen to music.
L.A. to me feels like music industry, and Nashville to me feels like music community.
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