A Quote by Christopher Daniels

It's all performance and my acting background made me very comfortable in front of people, in front of cameras. It helped me think on my feet in front of a crowd. — © Christopher Daniels
It's all performance and my acting background made me very comfortable in front of people, in front of cameras. It helped me think on my feet in front of a crowd.
For me any moment in front of a crowd is embarrassing, because I can't stand being in front of people. I'm probably one of the worst public speakers. I try to avoid it, but there are times when it's just too rude not to do it. But there really isn't a moment that's not embarrassing for me if I'm going to stand up in front of a crowd.
I always said put me in front of 40 or 50,000 people and play hockey, I'm comfortable there. Put me in front of 50 people to talk or get in front of, and that's where I'm probably the least comfortable.
For acting, a two-week workshop helped me break my shyness and made me able to perform in front of people.
In third grade, my teacher asked me to read in front of the class. I was so touched because that really was the first acting I had ever done, just reading in front of the class. And I was so amazed with the fulfillment I got from being in front of people.
I'm not used to performing in front of people. When I make TV it's very intimate. In front of a crowd I get so nervous and I'm not that great at it.
I'm comfortable in front of a camera, and I'm used to being watched, although that kind of bugged me at first. On the stage, though, I'm scared. I really get frightened in front of people.
I don't kid myself in thinking that I'm on the front lines. I know the people who are on the front lines. I mean there are people in some freakin' significant places making on-the-ground social front line change. I've marched. I've put feet on the ground for what I believe and what I'm against with no compromise. And there are people who are risking a whole hell of a lot more than me to make change, that's for damn sure.
'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.
I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.
Even in a given territory what would work in one city in front of one crowd might not work in front of another crowd. Every crowd is different in what they are looking for and what they'll respond to.
Growing up, I wanted to be a musician. My mother, in typical Filipino-mom fashion, would always make me go up in front of people at parties to sing. Back then, as a kid, I was mortified. In retrospect, I see that doing that as a child helped me get over my fear of being in front of people.
I played shows in front of like 25, 50 people, and it's a lot harder to do your thing in front of a crowd that's small.
When 'Nil By Mouth' was released, people thought that's what we were actually like, that they'd put me and Ray in front of the cameras and filmed what came out. No acting involved.
I'm much more comfortable and confident running out on the field in front of 70,000 people instead of standing in front of a camera trying to say some lines. The people who do that as a profession are very talented because it's certainly not easy.
For someone like me, who as a kid could not have two people in front of me without wanting to hide, to end up on stage with a lot of people in front of me, feeling good, it has to be a strange and special place.
In front of a big group of people, in front of cameras, to be in my body and be in that moment, I feel the way that I've always wanted to feel - like a real pop star who is not holding anything back.
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