A Quote by Christopher Daniels
I feel like with the level of talent that we've got in AEW - there are some fans of mine that would love to see me on 'Dynamite', but the honest truth is, the time to feature me as an act, I feel, is sort of, not long gone, but it's sort of passed, and I'm okay with that.
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This is a cliche, but in fiction, I feel it is easier for me to get to some sort of truth, some kind of more honest writing.
Performing with Thomas Rhett our song 'Craving You,' I'm so excited for the fans to see it and sort of see our worlds come together because I feel like he's sort of a genre pusher and boundary pusher, and I feel the same way about my music.
I promised Todd [Willingham] that I would attend the execution. ... It was impossible for me to go. I was incapable of that sort of travel. Sitting in a chair that long, driving to Huntsville just wouldn't have happened. ... I'm sure I would have been there. It's something I know. I would not have denied him that, but the accident kept me from being there. At some level, the universe was giving me the excuse for not being there. ... The universe was like, "Oh, you don't have to watch this." ... It would have been a horrible thing, but I'm sure I would have gone.
These dreams reminded me that, since I wished some day to become a writer, it was high time to decide what sort of books I was going to write. But as soon as I asked myself the question, and tried to discover some subject to which I could impart a philosophical significance of infinite value, my mind would stop like a clock, my consciousness would be faced with a blank, I would feel either that I was wholly devoid of talent or perhaps that some malady of the brain was hindering its development.
If I was an actor, it would be like a part that was me. It has to be real to me. I have to make it mine. I really enjoy taking a song I feel that way about, and sometimes it can take a long time to come up with just the right touch. I think that's really my greatest talent, interpreting.
I must say, I am thrilled with my fan base. For some reason some of them are quite young, so they are quite frightened. I remember when I did 'Click' and I'd see Adam Sandler's fan base. He's the guy that people feel that he's their best friend, so he's walking down the street and people sort of high five him and want to tell him a joke or invite him to come home and have a sandwich with them. Mine are not like that. Mine tend to go: 'Argh,' and look horrified. They shake and take a picture from a really long way away. I do feel I've got quite good, respectful ones though.
If the audience is responding very well to comedians that are hacks, and I don't do well, I don't feel as bad, because I feel like their taste is different than mine. They're laughing at somebody I would never laugh at, so that makes it okay, because obviously our tastes are not in the same place. And comedy is subjective, so I feel like maybe the failure wasn't all mine. I don't think they ever would have really enjoyed me. So sometimes that's a little easier, but not much.
Okay. I'll deal with Benjamin. You're safe, okay? Nothing's gonna happen." His mouth pulled tight against itself. And now I was having some sort of heart attack. Because when he looked at me like that, my chest started to feel like it was turned inside out. "Promise." And that—the promise, the way he said it with utter certainty—was enough to make me tear up again.
To be honest, I sort of feel like 'movie actor' isn't of this time. I love it. But it's a 20th-century art form.
I've been a freelancer my whole life. It's sort of been my ethos that wherever something takes me, it takes me, so, that was really the start of me trying my hand at whatever it was at the time. I've gone from doing sculpture to videos to being a set builder and working for a general contractor to jewelry maker to now, a rapper... I just love to create. I've had a stint doing pretty much everything! It sort of doesn't matter what it is, as long as I'm doing it. I love to see something from conception to final product. I love trying new things and seeing them through.
I'm not on Twitter. I feel like it has a purpose because there are fans around the world that want to have some sort of interaction with you. But I feel like it is important to still keep some space and some distance, which is why I don't have a Twitter.
I feel like I've been around for such a long time, as a writer and as an artist, that I need to sort of speak to the way that my perception of the world has sort of changed.
Being in darkness and confusion is interesting to me. But behind it you can rise out of that and see things the way the really are. That there is some sort of truth to the whole thing, if you could just get to that point where you could see it, and live it, and feel it. I think it is a long, long, way off. In the meantime there’s suffering and darkness and confusion and absurdities, and it’s people kind of going in circles. It’s fantastic. It’s like a strange carnival: it’s a lot of fun, but it’s a lot of pain.
I like movies! No, I like theater too. And paintings are great, and all of that! But to me, the great sort of artistic medium I think, of our time, is film. I really feel that. I mean to me, there's nothing else out there, where I can sort of suspend disbelief for two hours.
I feel like I got fans that love me for more than just the rap. They love me as a person, they love me as a daddy, they love me as a character. They love Boosie as a whole.
When you are trying to get a shot, you can't be pleasing everybody. And I tend to be sort of collaborative and a bit of a pleaser. And when I'm directing, people just sort of call me Black Hat Gabriela. Because suddenly they're like, "What happened to you?" Because I stop listening. And I feel strident. I feel rude. And I feel un-collaborative.
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