A Quote by Christopher Darden

All I can really say is it's bloodier than hell. In this one I'm going to be much more direct and honest in my description of the actual killings and the crime scene.
The family is the scene of the most intimate and powerful of human experiences. Family situations are bloodier and more passionate than any others, and the costs are greater.
What's been important in my understanding of myself and others is the fact that each one of us is so much more than any one thing. A sick child is much more than his or her sickness. A person with a disability is much, much more than a handicap. A pediatrician is more than a medical doctor. You're MUCH more than your job description or your age or your income or your output.
The situation in Europe is much more advanced, in terms of pro-genocide trends, than in the United States, yet. But we're going very rapidly in that direct, and Obama is the specific driver of that crime. I mean, this is a guy waiting for his Nuremberg trial: That's what this President is!
I can't do anything about how people who are all but completely unaware of my actual motivations and my actual thought process and my actual worldview, how they characterize me. There's not much I can do about it, except never say another word other than 'there's a ground ball to shortstop.' And I don't think that's going to happen.
I've been in crime for a long time and I know that the actual move isn't the actual crime: the crime continues [afterwards].
I try to keep feeling what's going on and try to use the camera, the actors and the design to enhance those feelings. There's something really emotionally direct and honest about how I put the material with the images. You hope that the strength of mise-en-scene comes from an honesty towards the material. You also hire really well.
The opening scene from 'Sharknado' I think was better than the original 'Jaws' movie. It was scarier, it was bloodier, and it had more high-anxiety moments than the original 'Jaws' movie. And that movie kept me out of the ocean for a summer.
Some directors don't say much. Michael Mann, for example. I remember on 'The Insider' he never had much to say. He would do a scene, just kind of nod, and then set it up to do it again. And you might do a scene 10 or 12 times or more, the same little 31-second bit. And you could tell he wasn't satisfied, but he wouldn't say much.
We really have no choice in the matter. We are given a description of the world that is much more potent and much deeper than you might realize.
Our media, which is very open and report on really everything, tend to exaggerate the crime issue...This is why one gets the impression that we have much more crime than other countries.
Scatterbrain is one of those harmless little words you use a million times... Then it turns up in a crime scene description.
On a film set, for me, there's so much more time to process what's going on than there is on a television set. There's more wiggle room to try things and fail and try again and get to the heart of what's going on in the scene, which is really fun for me. It's what I like to do.
Okay, I'm going to be completely honest here." I take a deep breath, because what I'm about to say is very real and more honest than I've ever been. "I don't want to be awayfrom you for that long.
When a novel is based on an actual crime, it should do much more than loosely fictionalize it. The novel must stand alone as a work of art that justifies using the story for its own purposes.
People used to say if you really want to crack it you have really got to go to America. But with the Internet and the scene how it is... Americans are coming here more and more. They are looking at what we are doing. I think it's important that we all remain here, that we stay here and keep this scene thriving.
I think it's much harder to have a long dialogue scene than an action scene. An action scene is long, but it's not really hard. It's kind of boring, really. It looks good at the end, but to shoot it, it's not the most exciting thing.
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