A Quote by Christopher Darden

I think that the mere fact that I'm doing it ought to inspire someone. In junior high school the counselor suggested that I focus on wood shop and metal shop. — © Christopher Darden
I think that the mere fact that I'm doing it ought to inspire someone. In junior high school the counselor suggested that I focus on wood shop and metal shop.
In high school, I majored in brick masonry. We had the wood shop, the machine shop, so I know about all that. I wanted to build buildings when I graduated from high school. I do know my way around that stuff.
I don't shop just high-end, honestly. I shop at Zara, I shop at Topshop, I shop at H&M. I shop everywhere.
Starting in junior high school, through high school, I was very into metal or black metal and death metal specifically.
Certainly the principal has to be bald. Certainly the school counselor has to be bald. And the driver's ed teacher. And maybe the wood-shop teacher. Mine was.
I'd say I was a tomboy... I took wood shop in high school and I was very into volleyball and football, and was very unaware of anything girly for a long time.
I was a per diem floater in the same junior high school I went to. I sat in the office and made $42.50 a day, and whenever a teacher was absent, I'd substitute. I taught everything from English to auto shop.
Our guys took Shop and Advanced Shop. Shop is when you make a chair. Advanced Shop is when you paint it.
Think, for a moment, about our educational ladder. We've strengthened the steps lifting students from elementary school to junior high, and those from junior high to high school. But, that critical step taking students from high school into adulthood is badly broken. And it can no longer support the weight it must bear.
The coffee shop played a big role in Vienna of 1900. Rents were sky high, housing was difficult to come by, your apartment probably wasn't heated, and so you went to the coffee shop. You went to the coffee shop because it was warm, because it was great Viennese coffee, and you went for the conversation and the company.
If you and I took a walk down a shopping street in Jo'burg or Cape Town or London, we see two guys looking in a shop window, we think, "Oh, they're wondering what they're going to buy." A cop looks at them and thinks, "Why are they standing there? Are they doing a drug deal? Are they going to mug someone? Are they going to rob the shop?"
It's not sufficient in the internet age to communicate through the media; you have to be able to do it on the ground, door by door, coffee shop by coffee shop, shop floor by shop floor. You really have to do that as well.
I just turned 40, and it's weird to think that I've been doing this almost my whole life. I was a child actor and then didn't do it through junior high and high school, then started up again in my late teens doing 'Young and the Restless.' Dabbled with school, went back to college, played around. I think I was doing Pleasantville at 23.
My school music teacher, Al Bennest, introduced me to jazz by playing Louis Armstrong's record of "West End Blues" for me. I found more jazz on the radio, and began looking for records. My paper route money, and later, money I earned working after school in a print shop and a butcher shop went toward buying jazz records. I taught myself the alto saxophone and the drums in order to play in my high school dance band.
Working in a store and being a shop assistant, if you don't know what to do and you like fashion, I think it's a great way of getting into the business because you do windows, cleaning, and everything. That was my school for two years, working in a shop, and that's how I met people in magazines and designers.
Our primary identity has become that of being consumers – not mothers, teachers, or farmers, but of consumers. We shop and shop and shop.
People want the freedom. They want to be able to shop. If you don't like the shop trading hours and you're a shop owner, you don't have to open.
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