A Quote by Christopher Fry
My trouble is I'm the sort of writer who only finds out what he's getting at by the time he's got to the end of it.
Related Quotes
There's one good thing about getting in trouble: It seems like you do it in steps. It seems like you don't just end up in trouble but that you kind of ease yourself into it. It also seems like the worse the trouble is that you get into, the more steps it takes to get there. Sort of like you're getting a bunch of little warnings on the way; sort of like if you really wanted to you could turn around.
When I hear about some sensational new writer I sort of think, Shut up ... you've got to be around for a long time before you can really say you're a writer. You've got to stand the test of time, which is the only real test there is.
I'm not saying to the kids yo drop out of school, education is the most important thing first and foremost. You know, my circumstances were a little different. I needed to work to help out so I couldn't be in school. Not only that, it was getting into trouble and all that s**t. I was getting into trouble more in school than I was out of school, so I had to just go ahead and make that adjustment, so I mean realistically I always tell everybody, in my case I don't got a high school diploma, but I have two Grammys so it kinda worked out best for me.
The beachcomber goes looking for trouble, everything he finds is a sign of trouble. The writer is the same; without trouble he has nothing to work with, so he picks over the tide line, over the bits and pieces of people's lives with grim fascination.
Paymasters come in only two sizes: one sort shows you where the book says that you can't have what you've got coming to you; the second sort digs through the book until he finds a paragraph that lets you have what you need even if you don't rate it.
When I read Thirteen Days I was moved by it. It was just a great time for the world, in terms of looking back in history and seeing how we got ourselves into trouble and how we got ourselves out of trouble.
I think you write only out of a great trouble. A trouble of excitement, a trouble of enlargement, a trouble of displacement in yourself.
That was the trouble with being a writer, that was the main trouble—leisure time, excessive leisure time. You had to wait around for the buildup until you could write and while you were waiting you went crazy, and while you were going crazy you drank and the more you drank the crazier you got.
[I just try to stay around the same people] is what kept me out of trouble, because when I got into trouble, it was with people from the outside. The outside always led me to getting into trouble, and really just stayin' in the studio [and] workin' hard, and mainly just keepin' my mind straight.
It's often the case that the most strained moments in books are the very beginning and the very end - the getting in and the getting out. The ending, especially: it's awkward, as if the writer doesn't know when the book is over and nervously says it all again.
A writer never finds the time to write. A writer makes it. If you don't have the drive, the discipline, and the desire, then you can have all the talent in the world, and you aren't going to finish a book.
I think books can cure cancer and grow back hair. I can't say it enough. For me, that's why it's so syrupy. It's both syrupy and over the top, and overly sincere, and also dead true. What else can I tell you? A writer can't catch a cab half the time, but when there's a demagogue, when there's a government that wants to suppress, there's a reason that writers end up getting in trouble. It's such a subversive form that can really change people.
I've grown up around that sort of petty crime, getting into trouble and trying to get out of it. What's funny is my dad was an inspector in the police, so I was known as the grass.
A novel's whole pattern is rarely apparent at the outset of writing, or even at the end; that is when the writer finds out what a novel is about, and the job becomes one of understanding and deepening or sharpening what is already written. That is finding the theme.
I never saw so intelligent a man have so much trouble in getting out a connected sentence. Ever since I have known him, he has desired to have a long talk with me, but he never gets started; and yet each time he meets me with renewed zest for the outpouring. It is like getting congealed liquid from a demijohn; you know the jug is large and full, but getting the contents out is the problem.
Getting into my teen years, I was filled with so much shame and pain that I got really involved with drugs and alcohol. I was hanging out with the wrong people and getting involved in the wrong relationships and everything just sort of spun out of control.
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