A Quote by Christopher Gorham

Talk about songs that make me cry: Track 7 on the 'Phineas and Ferb' soundtrack, 'Summer (Where Do We Begin?).' When you get to the part about sitting with your brother underneath the shade of a big tree in the backyard, ohmygod. Turn on the waterworks.
Spent most of the summer looking for shade. Driving around. Shade. Please? Driving in malls. I'll park a mile away I don't care. I'm just looking for a tree branch, anything. Long weed. Big leaf, get the front corner panel under it. Oh precious shade, I have it - you don't!
A few Disney TV composers had me pinch-hit writing some scoring cues to picture. Disney tapped me to be the composer for the underscore and song producer for this new show called "Phineas and Ferb."There is nothing like a successful animated show to get your chops up. You have to do every style - action, adventure, romantic, suspense, spy, poignant, rock, funk, big band - delivered on a deadline.
Someone's sitting in the shade today because someone planted a tree a long time ago. The person sitting in the shade now should be grateful for the person who planted and tended that tree. That includes all those benefactors of humanity throughout history that created, invented, financed, produced, maintained and improved all that we enjoy today.
I'm not really interested in rappers who talk about rap. I don't talk about it, and I don't like listening to other people talk about it. So I stick to the things that I know. You know, things like cars, ultimate fighting. I have a lot of songs about cars, because they're a big part of my lifestyle.
I want to make music and songs about things that real musicians and artist aren't able to make songs about - you wouldn't hear Justin Bieber making a song about homework, or, like, you wouldn't see someone make a song with their parents on the track.
There are a lot of ways to talk about the life of a photograph. You can talk about the afterlife of a photograph, and in the end I talk about that, with the Richard Prince picture. But mainly, what I dedicated the book to being about was how photographs begin their life, and where they begin it. And they begin it with the photographer's imagination and instinct and experience.
There are some folks at the teacher's union who aren't big fans of mine, in part, because I have been open and want to make sure everybody is sitting at the table as we talk about education.
The way that I write songs is pretty simple. I hear music first, much like you would when you're scoring a film. I usually hear a soundtrack in my head, and after I get that soundtrack, it tells me what it's about, what it feels like, what the emotion is, and the words come after.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
I always knew about as a kid, knew that that particular injury at [my grandfather's] finger had been caused in that disaster that killed his brother-in-law, my grandmother's brother. And he never talked about his own brother's death to me. My mother told me about that and told me about the impact on her family. And that's part of what you hear in the first verse of "Miner's Prayer."
Lauryn Hill quietly released 'Lose Myself' as part of the 'Surf's Up' motion picture soundtrack - shocking, I know. It's not only one of the best summer tracks you'll add to your catalogue: it's also one of the most honest and heartfelt songs she's has ever written.
The exciting part about sitting down and writing songs, playing shows, or being a musician in general is that you never know where those songs and that music is going to take you. There's such a cool feeling about that the phone could ring tomorrow and someone could say "he guess what? your song..." That really is cool.
It's funny: I look at songs, and I guess they each tell a story, and the different songs talk about different things. But they're unified by the rhythm underneath and the way that we decided to arrange and play them.
People think it's not necessary to talk to another human being, and that's the part of it that I don't like. Some people will go up and want to talk to you about the music, which is cool; they're enthusiastic about the songs and know stuff about it, or, 'I really like your music. Nice to meet you.'
People in suburbia see trees differently than foresters do. They cherish every one. It is useless to speak of the probability that a certain tree will die when the tree is in someone's backyard . . . . You are talking about a personal asset, a friend, a monument, not about board feet of lumber.
I watch a lot of cartoons. I watch a lot of "SpongeBob SquarePants" and "Phineas and Ferb."
This site uses cookies to ensure you get the best experience. More info...
Got it!