A Quote by Christopher Hampton
If you take a really good book, then the potential is for a really good film. But you've got to get it right.
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I haven't done it by myself at all. I've been surrounded by a really, really good crew of all ages. I think it's important to have a good age range in the crew so that some of us have experienced that period, or something close to that. But the script, of course, is really inspiring and you just have to trust that. Sometimes on film a glass can be as big as a car, so if the details are right, then they take up as much space on screen as the streets that we didn't have a chance to show as London really has changed since then.
I get really worried, like if they say, 'Take vocal lessons,' or something because it's kind of like I used to really love to draw when I was a kid and then I took like an art class - because everyone said, 'Oh, you're so good, you should take a class and maybe you can be really good,' and then I went to the class and then they showed me how to use a ruler and perspective and all this stuff and it totally made me not want to do it at all.
There are a lot of things that make players really good coaches. Whether you've played in the NBA or not, there are certain things you have to master and be really good at. They just have to be gifted in these areas. You've got to be competent. Secondly, you've got to be able to communicate. You can have a picture in your mind on how to score but if you can't communicate it, if you can't teach it, what good is it? You've got to be brutally honest and be a man of strong character and then you've got to have class. They've got to respect you.
I was really proud of the response to the first series of 'Blood.' Right from the get-go I knew it was a really good yarn and that it would have a chance if we got it right.
You would think, in an ideal world, that if you were in a really good film and did a really good job, whether it was a big film or not, you would get hired a lot; but that is not my experience.
We're all pretty proud of it, and we're also standing around, scratching our heads and going, "Wow, this is really good." With the caliber of actors that we have, you really can't got wrong. Not only is it fun, but it's good. It's been really, really great, in that aspect. I totally get what they're doing.
I think every league is good. Every league is pretty much the same: You got your top teams that are all very good, you got middle of the road teams that are really good and then you got your bottom of leagues that are all kind if fighting to get really good. I think it's pretty much the same across the board; I've said that for a long time.
Obviously it's easier when I' m doing the adapting myself. But my feeling is, your potential upside far outweighs the downside. Ultimately, they [moviemakers] can't change your book. Your book remains on the shelf the way you wrote it. If they make a great movie of your book, then you have the equivalent of millions and millions of dollars of advertising for your book. If the movie's not that good, that doesn't mean the book's not good. It doesn't change what you've already written. It has the potential to reach more people.
We get no good By being ungenerous, even to a book, And calculating profits--so much help By so much reading. It is rather when We gloriously forget ourselves, and plunge Soul-forward, headlong, into a book's profound, Impassioned for its beauty, and salt of truth-- 'Tis then we get the right good from a book.
If people get inspired by 'Baahubali' as a film, and they realize they can make a big film or a historical film which has good drama and good visuals, if they realize there are good stories to tell here, then it is good.
If I'm writing a book or doing something where I've got a lot of time at home, then cooking is always a really good distraction for me from what I've got to do.
I really want to do film, but I want to do the right film. The truth for me is that I'm really driven by stories. So there are stories I want to tell, and if it's a good story then I want to do it, whatever genre it is.
Obviously, the good thing about golf, it's difficult to really, really blow it after five holes unless it goes really, really, really... really, really, really wrong. But you still have 13 to go, and if you have a good run, where you make five or six birdies, you can get it back somehow.
They'd have to force me to take the All-Star Game. They take over the building, your season-ticket holders have to be in a lottery to see if they get tickets, and then they don't get a good ticket. Really, no good can come out of it, and all it can do is upset your fans.
The film is made in the editing room. The shooting of the film is about shopping, almost. It's like going to get all the ingredients together, and you've got to make sure before you leave the store that you got all the ingredients. And then you take those ingredients and you can make a good cake - or not.
It really helped to have someone whose taste I really trusted who I knew was really smart and a really good writer. Sometimes I find it hard to judge my own work so it was good to have someone who could look at it. It was like, "Oh, she likes it, then it's good."
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