A Quote by Christopher Hitchens
Many writers, especially male ones, have told us that it is the decease of the father which opens the prospect of one's own end, and affords an unobstructed view of the undug but awaiting grave that says 'you're next.' Unfilial as this may seem, that was not at all so in my own case. It was only when I watched Alexander [my own son] being born that I knew at once that my own funeral director had very suddenly, but quite unmistakably, stepped onto the stage. I was surprised by how calmly I took this, but also by how reluctant I was to mention it to my male contemporaries.
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Children make you confront your own childhood. Which I think is common. Suddenly you're remembering your own parents as parents, not to mention the fact that you're confronted by them as grandparents. So you also have that terrible shock, a mirror image of your own. You suddenly seem to be so helpless in the face of young children. And you think, "How did you ever bring up me?"
In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending. So for much of the period in which I'm writing, I'm waiting to understand what's going to happen next, and how and where it's going to happen. In some cases, fairly early in the process, I do know how a book will end. But most of the time, not at all, and in this particular case, many questions are still unanswered, even though I've been working for months.
People say the cross is a sign of how much man is worth. That’s not true. The cross is a sign of how depraved we really are, that it took the death of God’s own Son. The only thing that could save a people like us was the death of God’s own Son under the wrath of His own Father paying the price, rising again from the dead. Powerful to say, this is the Gospel of Jesus.
I didn't have my dad there and I had another mate who didn't have his father, and you kind of form your own little family and that's what gangs are, that's why you have so many gangs now because there are so many kids without fathers that they seek their own male bonding.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
Life found itself alive and somehow knew its opposite was death. We are ever being born, or dying, and the thrill of choosing is ours. Only once, must we be born without our own consent. Only once, must we die without our own permission
I think one of the great joys of being a writer is you can transcend everything, even your own sex, what century you live in, and how you think. I found it quite natural to think as a male because I actually think that as a female, one often thinks in the mind of a male in terms of eroticism. You think about what the other person feels. So it's not that hard to imagine being that person.
And that was it; it was so easy for her. My own memories did not even belong to me. But I knew she was wrong. I had seen that comet. I knew it as well as I knew my own face, my own hands. My own heart.
We have so many fantastic creators - female creators as well as male creators that have their own followings, their own fans, and their own books that are successful.
It's super-essential. Even though I don't have a very big team, for me, the word muse may be démodé or not. I adore it, but I am also one, in my delirium, to be quite classical. For a designer - especially a male designer - he absolutely has to have that female voice by his side, which he listens to, he filters, he digests. It's a huge need, because when you see through the eyes of a man, you see a woman a certain way, and how they have little tricks of their own.
My work generally tends to be an all-out, 360-degree subversive take on everything, most of all my own notion of myself as a son, father, husband, human being and male in this culture.
How I envy writers who can work on aeroplanes or in hotel rooms. On the run I can produce an article or a book review, or even a film script, but for fiction I must have my own desk, my own wall with my own postcards pinned to it, and my own window not to look out of.
You only have to glance at the daily news to see how passions are stirred by claims of exclusive loyalty to one's own kin, one's own clan, one's own country, and one's own church. These ties that bind are vital to our communities and our lives, but they can also be twisted into a noose.
Being half-Palestinian comes with its own challenges, especially after 9/11 and also, working in Hollywood. But denying my own father, the three siblings I have on my father's side, I would essentially be destroying my own essence. So I decided I'm going to be me.
There are other great writers who are not read properly in their own day for the reason, perhaps, that their readers are not yet born. What they have to say to their own generation is said so at cross-purposes and with such apparent irrelevance that it is not understood. They are, as it were, giants who tower above their own age to cast their shadows across the next.
The key to your happiness is to own your slippers, own who you are, own how you look, own your family, own the talents you have, and own the ones you don't. If you keep saying your slippers aren't yours, then you'll die searching, you'll die bitter, always feeling you were promised more. Not only our actions, but also our omissions, become our destiny.
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