If you can't joke about the most horrendous things in the world, what's the point of jokes? What's the point in having humor? Humor is to get us over terrible things.
I like that we don't have to come out the first 10 minutes and score, you know, with joke, joke, joke. We can open it in a more novel way and keep playing different pranks as we go through the thing.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
I think Trump is terrible for comedy. A lot of people say he is great. He's not. You can't joke a joke.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
Then when we did the untitled record, we just didn't feel like putting joke stuff on it, so we didn't. It wasn't really a deliberation or a real introspective thing like, "Are we going to joke on this one, are we not going to joke on this one?" We just didn't feel like it on the untitled one, so we didn't.
I don't see much point in doing things for a pure joke. Every now and then you need a joke, but not so much as the people who spend all their lives constructing joke palaces think you do.
On Twitter, when someone would die, I would write a joke. Or if there's a tragedy, I would write a joke and tweet it. That was my thing, and then at a certain point, people started demanding it.
Poetry is like making a joke. If you get one word wrong at the end of a joke, you've lost the whole thing.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
People try to put ownership on things: 'That's mine, that's my joke.' No such thing. Like if you tripped or stumbled and people go, 'Oh, that's Charlie Chaplin.' You know what I mean? You can't own a joke. You can be the guy that tells it the best, but you can't own a joke. Nowhere can you own a laugh.
And the thing about my jokes is, they don't hurt anybody. You can take 'em or leave 'em - you can say they're funny or they're terrible or they're good, or whatever, but you can just pass 'em by. But with Congress, every time they make a joke, it's a law! And every time they make a law, it's a joke!
I knew at the time my haircut was pretty damn god-awful, so I was just hoping that I wasn't one of the joke ones. And they put me through to Hollywood and I thought, "Well okay, maybe I'm still one of the joke ones but at least I'm not terrible?"
Normal adult shopping is something I will never actually do, because it's no more possible for me to go shopping like normal adults do than it is for a man with no legs to wake up one day and walk. I can't miss shopping like you'd miss things you once had. I miss it in a different way. I miss it like you would miss a train.
We feel like if we miss a Sunday at church, that's one thing, but we can't miss an opportunity to help.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.