A Quote by Christopher Hitchens

David Irving is not just a Fascist historian. He is also a great historian of Fascism. — © Christopher Hitchens
David Irving is not just a Fascist historian. He is also a great historian of Fascism.
If Bob Dylan really is an historian in and of himself in his work, in his performances, he is also an historian with a unique sense of humor. There's always been a bit of a stand-up comic in him.
If you have things or are involved with things that turn on, it's going to have code. And there are so many people - let's pick on the historians - even as a historian, let's say I ended up going the road of being a historian, just knowing some basic scripts, any kind of automation would have made me a 10 times better historian because I wouldn't have to sit there changing every file name to "1234" and then "12345." It can have a transformative value.
The contemporary historian never writes such a true history as the historian of a later generation.
A historian may be an artist too, and a novelist is a historian, the preserver, the keeper, the expounder, of human experience.
When a historian enters into metaphysics he has gone to a far country from whose bourne he will never return a historian.
Like a historian, I interpret, select, discard, shape, simplify. Unlike a historian, I make up people's thoughts.
Politics is my second passion, but as a historian, you have to be genuinely neutral. You have failed in your primary duty as a historian if you are one side or the other.
When I meet a historian who cannot think that there have been great men, great men moreover in politics, I feel myself in the presence of a bad historian, and there are times when I incline to judge all historians by their opinion of Winston Churchill -- whether they can see that, no matter how much better the details, often damaging, of man and career become known, he still remains quite simply, a great man.
I was a narrative historian, believing more and more as I matured that the first function of the historian was to answer the child's question, "What happened next?
I am a critic who is pulled toward history. But Bob Dylan himself is a great historian. He is an historian who acts out history. So it always has a personal stamp. It always has a particular timbre. It always has a particular howl, or a moan, in that voice.
I'm not an historian and I'm not wanting to write about how I perceive the social change over the century as a historian, but as somebody who's walked through it and whose life has been dictated by it too, as all our lives are.
I knew that a historian (or a journalist, or anyone telling a story) was forced to choose, out of an infinite number of facts, what to present, what to omit. And that decision inevitably would reflect, whether consciously or not, the interests of the historian.
I am an historian, I am not a believer, but I must confess as a historian that this penniless preacher from Nazareth is irrevocably the very center of history. Jesus Christ is easily the most dominant figure in all history.
The greatest historian should also be a great moralist. It is no proof of impartiality to treat wickedness and goodness on the same level.
I am not trying to be a historian and a dramatist; I'm a dramatist, a dramatic historian, or one who does a dramatic interpretation of history.
To know what Fascism really is we must first of all know what it is we are fighting, what the Fascist regimes really are and do, who puts up the money and backs Fascism in every country, and who owns the nations under such regimes, and why the natives of all Fascist countries must be driven into harder work, less money, reduced standards of living, poverty and desperation so that the men and corporations who found, subsidize and own Fascism can grow unbelievably rich.
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