A Quote by Christopher Hitchens
As well as being a vulgar producer of her own spectacle, and an embarrassment to her family, Cindy Sheehan is at best a shifty fantasist.
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My youngest sister, Cindy, has Down syndrome, and I remember my mother spending hours and hours with her, teaching her to tie her shoelaces on her own, drilling multiplication tables with Cindy, practicing piano every day with her. No one expected Cindy to get a Ph.D.! But my mom wanted her to be the best she could be, within her limits.
I met Cindy [Sheehan] near Crawford, Texas. I went out to personally thank her for waiting patiently by the road in front of George and Laura Bush's ranch for an answer from her President as to why and for what her son and others had been sacrificed in the unlawful invasion and occupation of Iraq.
Cindy Sheehan is one tough mother. And nothing you say or anyone else is gonna slow her down.
It was a good script [Something New]. We have not seen an interracial issue dealt with from a black woman and white man's perspective in this way. And, usually, it's a black man, white woman. I loved the fact that it wasn't about the couple being against the world or the couple against the family. I loved the fact that it was her dealing with her own prejudices that came up, her own guilt, her own shame and embarrassment about what her peers thought.
The bizarre but all too common transformation of the woman artist from a producer in her own right into a subject for representation forms a leitmotif in the history of art. Confounding subject and object, it undermines the speaking position of the individual woman artist by generalizing her. Denied her individuality, she is displaced from being a producer and becomes instead a sign for male creativity.
Her dignity consists in being unknown to the world; her glory is in the esteem of her husband; her pleasures in the happiness of her family.
My mother didn't feel sorry for herself, she was left with no child support, no alimony at a very young age, with a child to raise, a high school education and she just figured it out. She didn't complain, she didn't rely upon government, she relied upon her own skill set, her own self confidence, her own drive in moxie and her own duty to me and her and she relied upon her family and her faith.
Everyone knew in the 1950s why a girl from a nice family left home. The meaning of her theft of herself from her parents was clear to all - as well as what she'd be up to in that room of her own.
To expiate the pain of losing her firstborn son in the Iraq war, Cindy Sheehan decided to cheer herself up by engaging in Stalinist agitprop outside President Bush's Crawford ranch, ... It's the strangest method of grieving I've seen since Paul Wellstone's funeral. Someone needs to teach these liberals how to mourn.
The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.
Her work, I really think her work is finding what her real work is and doing it, her work, her own work, her being human, her being in the world.
When [Satan] undertook to draw Eve away from God, he did not hit her with a stick, but with an idea. It was with an idea that God could not be trusted and that she must act on her own to secure her own well-being.
If a woman did not work and have the opportunity to save and invest on her own throughout her lifetime, she is often totally reliant on her family and Social Security for her retirement years.
There is simply no dignified way for a woman to live alone. Oh, she can get along financially perhaps (though not nearly as well as a man), but emotionally she is never left in peace. Her friends, her family, her fellow workers never let her forget that her husbandlessness, her childlessness - her selfishness, in short - is a reproach to the American way of life.
The Ellevest target client is the professional woman who either has her own money or has agency over her family's money. She is among the 75 million women in the U.S. workforce who want to take financial control and is looking for a straightforward way to achieve her dreams on her own terms.
I mean, Kim used to be a leper in the fashion community, and now they embrace her and she's on the cover of Vogue, and that's all thanks to Kanye. And her being associated with him was good not just for her, but for her entire family.
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