A Quote by Christopher Hitchens

The reading public isn't born that doesn't think foreigners are either funny or faintly sinister. — © Christopher Hitchens
The reading public isn't born that doesn't think foreigners are either funny or faintly sinister.
I can never quite decide whether the anti-Columbus movement is merely risible or faintly sinister. It is sinister, though, because it is an ignorant celebration of stasis and backwardness, with an unpleasant tinge of self-hatred.
I just know from experience that reading a funny poem aloud, especially at the beginning of a public reading, can have a certain effect. Somehow narrowing the spectrum of possible emotional reactions. So while I like it when people laugh at my poems, and I definitely enjoy being funny in them, I don't really think that's the most important thing that's going on, at least not to me.
We are the source of our problems not mysterious sinister foreigners overseas.
Life is sinister. I don't know if I am representing life exactly, but sinister, I think it has to do with dreams. You're dreaming when you're awake: you're sitting on the subway and you look around, and you can think of sinister things that are kind of delightful to think of because they're not really happening, but they are in your mind. They're about wishes, desires - sexy, dangerous, hopeful, the way it could be, maybe.
I think that Obama is very cool. And I think he's clever, and I think he can be witty. But I don't think he's funny in either the way that Reagan was funny - or John McCain and Dick Cheney are both funny in that ruthless, kind of mean way.
Reading for experience is the only reading that justifies excitement. Reading for facts is necessary bu the less said about it in public the better. Reading for distraction is like taking medicine. We do it, but it is nothing to be proud of. But reading for experience is transforming.
It's funny how sometimes how the public some people think I was born like this. That I maybe I sleep and I do big muscle, but its a lot of work to look like this and to be in this kind of condition.
It's funny how sometimes how the public some people think I was born like this. That I maybe I sleep and I do big muscle, but it’s a lot of work to look like this and to be in this kind of condition.
I think everyone is born funny. Sadly, some lives beat it out of them. I don't know what allows someone to keep being funny and actually make a career of it.
Never be entirely idle; but either be reading, or writing, or praying or meditating or endeavoring something for the public good.
I think I was born with a natural way of looking at something and trying to find the ways in which it was odd or funny, Even in the sad or angry stuff, I was, 'Well, but where is the funny part of this?'
When I write, I do it urged by an intimate necessity. I don't have in mind an exclusive public, or a public of multitudes, I don't think in either thing. I think about expressing what I want to say. I try to do it in the simplest way possible.
I don't think comedy is something you learn. I think it's something that's either there or it's not. When I read a script, I have to see the funny, and if I can see it's funny, it helps me to be able to transmit that.
People always say, when did you realize you were funny? And I think it's not that you realize you were funny. It's that you're brain works in a certain way. And I don't think that that's - I think in some respects it's uncontrollable, and you can either accept it and deal with it and hone it or you can try to fight it. And I was too weak to fight it.
A fellow who has a funny bone can learn to hone his skills, but I don't think you can develop a funny bone - you either have it or you don't. And by the way - when you get it, we don't know it.
Lou Holtz, I was also a huge fan of. He was really funny. I think that's a big part of why I was attracted to the Razorbacks: I thought Lou Holtz was really funny. He is really funny. Too bad he's a born-again, or whatever.
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