It's [Los Angeles] mostly full of nonsense and delusion and egomania. They think they'll be young and beautiful forever, even though most of them aren't even young and beautiful now.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
I was voted the most beautiful girl in the world in 1958, and courted by every young, available man in Los Angeles, most of whom I didn't go out with, by the way.
There something to be said for having even unrealistic dreams. Even if the dreams don't come true - that, to me, is what's beautiful about Los Angeles. It's full of these people who have moved there to chase these dreams.
Now, what sort of person would write a scene where a young man stumbles upon a castle full only of beautiful young women? Answer: ME!
I've known you for years. Everyone says you were beautiful when you were young, but I want to tell you I think you're more beautiful now than then. Rather than your face as a young woman, I prefer your face as it is now. Ravaged.
There are a lot of young black girls who I meet in my travels who don't have a lot of self-esteem. So if I communicate to them that they're beautiful, no white person should find fault in that. It doesn't mean that young white girls aren't beautiful, because they are just as beautiful.
I've seen a lot of highs and a lot of lows with this team, and one thing I've learned is that even though you have lows, you're not going to have them forever, so you've got to keep fighting.
(on the Los Angeles Galaxy)
There's always - somehow a red carpet everywhere. And I think that, you know, it's a fantasyland out here, you know. It's beautiful. It's sunny all the time. You know, there are beautiful people everywhere because you're not allowed to cross the Los Angeles city lines unless you're beautiful or skinny - joking kind of.
A lot of the young people make beautiful films or big films or are able to finance them, but they can't get anyone to distribute them, they can't get anyone to see them, so they go to these thousands of film festivals. So I still believe that even though a young kid might be able to make a masterpiece or something that changes the direction of cinema, the issue of how to get it to people is still not solved.
We see the most beautiful creations whither. The beautiful young maiden becomes the old woman and she hates her body because it isn't what it used to be. The young man becomes the old dotard who has trouble remembering.
I'm very stodgy. I'm always looking at old photos of California and Los Angeles, knowing that what I'm looking at is now full of houses. There used to be vacant lots in Los Angeles, now all taken up by three-storey boxes - it's all getting infilled.
While we're young and beautiful, living free and easy. Here without a worry, dancing in our bare feet because when the summer's done we might not be so young and beautiful.
My mother, who was radiant, young, and beautiful even as she lay dying, heard voices and saw visions, but she always managed to make friends with them and was much too charming to hospitalize even at her craziest.
I have almost no memory of them [St. Trinian's films]. I don't think I've seen them since I was quite young. I was a bit frightened of the girls. I fancied them. Even though I was young, I found them attractive and rather frightening. I've always been attracted to frightening girls! I'm married to one!
It is beautiful to talk about beautiful things
And even more beautiful to silently gaze at them.
A child's world is fresh and new and beautiful, full of wonder and excitement. It is our misfortune that for most of us that clear-eyed vision, that true instinct for what is beautiful, is dimmed and even lost before we reach adulthood.