A Quote by Christopher Hitchens
The disquieting thing about newscaster-babble or editorial-speak is its ready availability as a serf idiom, a vernacular of deference. "Mr. Secretary, are we any nearer to bringing about a dialogue in this process ?
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I don't speak with proper grammar. I don't speak with dialogue attribution. I don't speak with quotation. I don't care about any of that stuff. It's about rhythm, and it's about what's in their [the character's] head, and what feels more natural. And it's about speed. I want things to move.
Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man's ken now are but poor-mouthed ecclesiastical film stars and clich?-shouting publicity agents. Their little knowledge bringing them nearer to their ignorance, ignorance bringing them nearer to death, but nearness to death no nearer to God.
God is nearer to us than any man at every time. He is nearer to me than my raiment, nearer than the air or light, nearer than my wife, father, mother, daughter, son, or friend. I live in Him, soul and body. I breathe in Him, think in Him, feel, consider, intend, speak, undertake, work in Him.
I'm ready for the opportunity to speak about things. I've always dreamed about the opportunity to speak about stuff.
My understanding of films was just as much as any young girl who watches Bollywood films. I had no idea about the whole process of filmmaking, about dialogue writing, scripts, screenplay etc. I had probably gone to two or three film shoots in my childhood.
The thing that is so touching about - I can come right up and call him Mr. Simon. The thing that's great about Mr. Simon is he really uses the audience as a partner, and they tell him what's working and what's not. So he's always working on a play.
We are hopeful about the opportunities ahead, and stand ready to join this President in an open and honest dialogue about improving the state of our union for all Americans not the select few.
Any dialogue about fashion is a good dialogue.
The only way to win the White House, in my view, is to become a nominee of either the Republican or the Democrat Party, and simply running to be a spoiler would not give the American people, I think, the chance to express their own views about Mr. Trump or about Secretary Clinton.
I have an acting coach that I work with on everything that I do. The thing about my preparation process for getting ready for a role is I have sex with as many people as I can.
When you break into song, it's not about dialogue, it's not about how you would speak in a naturalistic sense-it's about expressing your inner torment or your inner joy.
There's a point I can get to where I start writing character and then through the dialogue, after all of this preparation, the thing starts to feel like it's a character developing through the dialogue. A lot of character traits do come from writing dialogue, but I have to be ready to do it.
Republicans have always talked about having a big tent, but it doesn't do any good if the tent doesn't have any chairs in it. Bringing Latinos to the forefront, bringing women in is absolutely critical.
I have to admit that more and more lately, the whole idea of jazz as an idiom is one that I've completely rejected. I just don't see it as an idiomatic thing any more...To me, if jazz is anything, it's a process, and maybe a verb, but it's not a thing. It's a form that demands that you bring to it things athat are valuable to you, that are personal to you. That, for me, is a pretty serious distinction that doesn't have anything to do with blues, or swing, or any of these other things that tend to be listed as essentials in order for music to be jazz with a capital J.
It's all just so fraught when you're writing and then going through the editorial process. It feels like this shape-shifting thing. When it's done, and you can't change a single word, it's a totally different thing. I was surprised by what that thing was.
Instead of thinking of the question of race genealogically, and leaving it open whether vernacular races are genealogical units, the interest in biomedicine has been to determine whether vernacular racial categories are medically useful in diagnosis and treatment. There is on-going debate about this.
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