A Quote by Christopher Jackson

I'm used to multitasking... I like it that way. I like when things are busy. I strive off the pace. — © Christopher Jackson
I'm used to multitasking... I like it that way. I like when things are busy. I strive off the pace.
I like TV in the way that it moves quickly, I like the pace of TV because I'm that type of actor. I like to go-go-go. I don't have to do 50 million takes of something. I guess I'm not that patient. I really like the pace of it.
I don't like MTV, and I don't like the culture that goes with it. It's OK in very small doses, maybe. Nevertheless, it's a social reality and has influenced how kids perceive things around them, the pace of life and the way people do things.
I felt like I was at that breaking point. I just prayed and took my mind off of dreams - I went to church. I felt like a lot of things came together. I'm not perfect but I strive to be.
I like the pace of my world. It's busy, but for me, the less I do the lazier I get.
When other presidents used the executive pen, they used to it for things like should we lower the flag at half mast for someone who died and things like that. When President Obama uses it, he changes the way America does business.
I did that thing where you scratch your eyebrow and flip someone off at the same time. I'm good at multitasking like that.
My biggest thing is, I'm learning what it's like to carry myself in a personal way and also a professional way: how I can be a leader and do multitasking.
I'm quite good at multitasking, but I have to do things immediately. I have a book where I write things down: major topics, deadlines, things like that. Every few months, I start a new book.
If I lose forcing the pace all the way, well, at least I can live with myself. But if it's a slow pace, and I get beaten by a kicker who leaches off the front, then I'll always wonder, 'What if...?'
I used to think there was a scientific way to do things. Like a proper way to answer a question or that kind of stuff. It's like, there's not! There's not a method, there's not a science to it.
I still enjoy my life, and I feel like I've achieved enough things that if I never did anything again, I'd feel confident that I'd still have made my mark in some way. But maybe the self-loathing bit is the element that makes you strive for more. Makes you strive to be better.
In features, we're languid: we shoot one or two scenes over, like, three days. In TV, the pace is so different. You're shooting ten scenes a day, going way into the future or way back into the past. It's complete madness, and I'm just trying to keep up with this really electric pace.
I used to wear this cowboy outfit. I wouldn't take off. It was ridiculous. My mum was like, 'You've got to take that off sometime,' and I was like, 'No way, this is it.' It was the '70s - it was turquoise and yellow, really psychedelic colors. I wanted to be a psychedelic cowboy.
Pace, like everything else in writing, involves a trade-off. If you're not offering the reader a lot of action to keep her interested, you must offer something else in its stead. Slow pace is ideal for complex character development, detailed description, and nuances of style.
I like the roar of cities. In the mart, Where busy toilers strive for place and gain, I seem to read humanity's great heart, And share its hopes, its pleasures, and its pain.
The homes I like the best are totally occupied, busy, and useful, whether it's a tiny little house or a great big one. Rarely do you find a great big house that's used in a good way. So I prefer smaller spaces that are full of books, full of things that people are doing.
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