A Quote by Christopher Jackson

One of my first public performances was singing hymns at a funeral for a friend of our family. — © Christopher Jackson
One of my first public performances was singing hymns at a funeral for a friend of our family.
I grew up singing in church. My family owned funeral homes so I would sing for the occasional funeral, as well.
Sometimes I, as a public official, turn to Scripture or hymns - especially hymns, because sometimes we Catholics don't have the Scriptures memorized like we should - to help me explain a public policy position or an idea or to be able to articulate it better when you're talking about justice or mercy or compassion.
All things that we ordained festival Turn from their office to black funeral-- Our instruments to melancholy bells, Our wedding cheer to a sad burial feast; Our solemn hymns to sullen dirges change; Our bridal flowers serve for a buried corse; And all things change them to the contrary.
I always wanted to sing, I always loved to sing. As a child I was singing all the time, and my parents were singing all the time, but not the traditional songs because they were very Christian; the Christian Sámis learnt from the missionaries and the priests that the traditional songs were from the Devil, so they didn't teach them to their children, but they were singing the Christian hymns all the time. So I think I got my musical education in this way. And of course the traditional songs were always under the hymns, because it doesn't just disappear, the traditional way of singing.
When I was young, I put on performances for my family and my parents where I would dance like a woman, singing a really exaggerated woman's vocal in front of my whole family.
There's some belting hymns. Brilliant hymns. When I was an altar boy the hymns were great.
To Harry Secombe: I hope you die first as I don't want you singing at my funeral.
There have been times when I've felt inappropriately emotional. I remember making 'The Most Hated Family in America' about the Westboro Baptist Church, and being on the way to a funeral of a U.S. soldier with the Phelps family; they were going to picket the funeral.
There is no institution more vital to our Nation's survival than the American family. Here the seeds of personal character are planted, the roots of public virtue first nourished. Through love and instruction, discipline, guidance and example, we learn from our mothers and fathers the values that will shape our private lives and our public citizenship.
The singing of our sacred hymns, written by the servants of God, has a powerful effect in converting people to the principles of the Gospel, and in promoting peace and spiritual growth.
I find too there are few Friendships in the World Marriage-Proof; especially when the Person our Friend marries has not a Soul particularly capable of the Tenderness of that Endearment ... we may generally conclude the Marriage of a Friend to be the Funeral of a Friendship.
Not by lamentations and mournful chants ought we to celebrate the funeral of a good man, but by hymns, for in ceasing to be numbered with mortals he enters upon the heritage of a diviner life.
Some of the stuff I'm writing is almost like hymns, some of my first singing and choral experiences were in church, the Church of Christ in Hicksville.
My first memory of the Rolling Stones is listening to 'Satisfaction' at a sixth-grade slumber party at a friend's house in Ankara, Turkey, where my family was living at the time. In the middle of our sleepover, my friend's dad stopped the record when he heard the words 'girlie action!'
I came from a very musical family, so I grew up singing karaoke with the family. My family said 'do this' and brought me to singing lessons. I had always been writing poems and songs.
My advice to writers: thank goodness we can revise and adjust and tighten and rethink before going public with our words. Revision is our friend. Our best friend. I love revision.
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