A Quote by Christopher Lee

I knew Vincent Price from films - he was a big movie star - but the first time I met him was when we filmed 'The Oblong Box.' — © Christopher Lee
I knew Vincent Price from films - he was a big movie star - but the first time I met him was when we filmed 'The Oblong Box.'
I like 'Reanimator,' and I like 'Evil Dead 2.' But I really like the Corman movies from the late '60s and early '70s, and my favorite is 'The Mask of Red Death' with Vincent Price because - spoiler alert - but at the end of the movie, Vincent Price, he's the evil prince, and to kill him, his court just, like, dances at him.
I can't tell you how exciting it was, because Vincent Price had made a huge impression on me when I was a little kid. I just loved him in films. And so meeting him and becoming friends with him was a big deal for me.
Before 'Grease,' John Travolta was a big star from 'Welcome Back Kotter'... but that's not where I met him. I met him at unemployment when we first moved to California.
José Mourinho is a big star. He's nice. The first time he met Helena [Ibrahimovic's partner] he whispered to her: 'Helena, you have only one mission - feed Zlatan, let him sleep, keep him happy.' That guy says whatever he wants. I like him.
You know, I've always wrote my best stuff when it takes me hardly any time at all. Actually I wrote.....this is actually a really funny story...'Ghost Of Vincent Price', I've been wanting to write a song about Vincent Price coz he's one of my favorite characters of all time.
I remember in the Carpenter version, you got acquainted with the characters and really knew them. It was a real character piece. Each actor was serviced in the movie, and we tried to do that in this movie as well. I like the fact that there was a European, first-time director. I'd known of him because I'm from Europe. I knew him as a commercial director and thought one of his commercials was great. I thought it was an interesting take on such a big-budget cult classic.
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
[Vincent Price] was the funniest damn guy I ever met.
I remember when I got my first (and only) iPad - excitement filled the air as I opened the box and stared at what was essentially a big iPhone but without the phone part. I knew I really wanted it, and at the same time, I knew I didn't need it.
It was great. We knew we were going back when we finished the movie. It was such a big movie [Star Wars].
Miles Davis, my one and only real hero of my life. I met him [because] every time I had a movie interview, I would shift the conversation to jazz. Miles, when I finally met him, he knew he had a sucker walking in the door. Because his people told him, “This guy plays the trumpet and every freakin’ interview he has ever given, he’s talked about you.”
I do like musical films more than big Hollywood films, especially those by Jacques Demi and Vincent Minelli.
When Howard Marks came out of prison, years later, I met him at a concert in South Wales; I was a young whippersnapper and Howard was kind of an outlaw hero. I said to him - and it's on tape, a cousin of his filmed our meeting - I said, "If you write a book, I want to play you in a movie." He said, "Let's shake on it," and we did. Thirteen years later, there we were, making the movie.
My favorite commercial I did was my Verizon campaign, which I filmed a series of three commercials. My favorite movie I have done was 'House Under Siege' because it was my very first movie at 5 years old. My favorite TV show I have filmed was 'The Night Shift,' which is one of my favorite shows.
I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by Kazan and was called Baby Doll.
We had a great connection with Pedro Almodovar from the beginning. Even before I met him, it was so strange. I felt like I already knew him. I loved him even before I met him. It was so powerful. And when I looked at him in the eyes, this was the feeling that I knew I was going to have with him. It gets bigger and bigger every day. I adore him. It's much more than working together. He's a really special person in my life.
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