A Quote by Christopher Lee
My father's family can be traced back to 1400. I've been told by gypsies that there is unmistakeably gypsy blood in me. Lee is a gypsy name, you know.
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One of the biggest questions to me was whether or not Gypsy the person was capable of loving anyone or anything beyond Gypsy Rose Lee the creation, and even that was a conflicted, tortured relationship.
The white moth to the closing vine,
The bee to the open clover,
And the Gypsy blood to the Gypsy blood
Ever the wide world over.
The cousin said that Gypsy [Rose Lee] took a full fifteen minutes to peel off a single glove, and that she was so damn good at it he gladly would've given her fifteen more. So this story got me thinking, who was Gypsy Rose Lee? Who could possibly take the simple act of peeling off a glove and make it so riveting that one might be compelled to watch this for a full half-hour? So I began researching, and I came across a series of articles from the year 1940 about Gypsy in Life magazine.
Gypsy [Rose Lee ] was a masterful storyteller, and her memoir and by extension, the musical weren't only Gypsy's monument; they were also her chance for monumental revisionism.
Her sister [June Havoc] said the musical portrayed who Gypsy [Rose Lee] wanted to be before the burlesque thing happened she wanted to be this beautiful, romantic person with dreams. So Gypsy told the story of her life as she wished she'd lived it: embellishing, softening the edges, eliminating certain things altogether.
For some of us, the Gypsy years can go on forever ... That isn't such a bad thing. When all is said and done, they're a lot of fun. The truth is, I liked being a Gypsy. It's who I was. And it's still a lot of who I am. Gypsy, it's a good word.
It is very important that people understand how important flamenco is to the Gypsy community. There have been some amazing Gypsy artists. It's important that we give visibility to that, but at the same time people have to be fair and recognise that Paco de Lucia was the biggest guitar player in this style of music in the world and he wasn't Gypsy.
It was a great challenge to reconstruct Gypsy Rose Lee life, and my interviews with her sister [June Havoc] proved invaluable. It's not often that writers have access to living primary source material; this was the only person who experienced life on the vaudeville circuit with Gypsy during the 1920s, and who saw her perform at Minsky's Burlesque in the 1930s. She knew things that no one else could ever possibly know.
If Lady Gaga and Dorothy Parker had a secret love child, it would've been Gypsy Rose Lee. Gypsy arrived for opening nights at the Met wearing a full-length cape made entirely of orchids, while Lady Gaga shows up wearing a full-length cloak made of meat.
My father is a gypsy. He traveled in caravans and was branded by the Ku Klux Klan. You know I have a history about race in my family that has very much to do with the other things that you name about poverty, about class, about access - or lack of it.
When Gypsy was older, after she became Gypsy Rose Lee, I think she was both proud and slightly ashamed of her Seattle roots. She worked very hard to rid her voice of any trace of a local accent, cultivating an affected way of speaking that sounded as if she pinned the ends of her words.
I spent three years researching American Rose, research that included connecting with Gypsy's sister, the late actress June Havoc (I was the last person to interview her) and Gypsy's son, and also spending countless hours immersed in Gypsy's expansive archives at the New York Public Library. I became obsessed with figuring out the person behind the persona.
This speaker reminds me of my childhood in Budapest. There were gypsy magicians who came to town to entertain us children. But as I recollect, there was one important difference: the gypsy only seemed to violate the laws of nature, he never really violated them!
I wrote a couple of songs that had gypsy references in them. The only reason it happened was because that's what was coming through and I liked the idea at that period of time. But that doesn't mean that it's a myth or that I'm a gypsy. It's gotten totally out of context.
When I tried to do something else, everyone behaved as if I was Gypsy Rose Lee trying to paint a Matisse.
(Actually now I’m remembering that the goodbye chow isn’t spelled that way. It’s ciao or something weird like that. It’s Italian, right? But I’m not an Italian gypsy, I’m a hungry gypsy. So spelling it chow makes total sense.)
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