A Quote by Christopher Lee
It's what you don't see that keeps you on the edge of your seat in any kind of film - leave it to the imagination of the viewer.
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If you give an answer to your viewer, your film will simply finish in the movie theatre. But when you pose questions, your film actually begins after people watch it. In fact, your film will continue inside the viewer.
As an adult, I really don't watch much horror, to be honest. I mean, I like a good thrill. Thrillers are my favorite. I like stuff that keeps you on the edge of your seat or maybe makes you jump. But what I don't like is the gore. I don't like gratuitous violence and killing and all that kind of stuff. So it's kind of an interesting paradox.
Thrillers are my favorite. I like stuff that keeps you on the edge of your seat or maybe makes you jump.
I'm terrible at solving things. I'm really bad and haven't got any sort of lateral thinking capacity. I am your perfect audience for a mystery. I love that kind of stuff. I'm always on the edge of my seat.
You have to do three things really well to make a successful film. You have to tell a compelling story that has a story that is unpredictable, that keeps people on the edge of their seat where they can't wait to see what happens next. You then populate that story with really memorable and appealing characters. And then, you put that story and those characters in a believable world, not realistic but believable for the story that you're telling.
I often think off-screen horror is more effective, it's the fear of what is lurking around the corner, just out of sight, that can leave you on the edge of your seat.
I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact, it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath, there is a hidden theme.
Gravity. It keeps you rooted to the ground. In space, there's not any gravity. You just kind of leave your feet and go floating around. Is that what being in love is like?
Anyone can do shock value. Develop enough tension and cue the music right, then have something jump out: It's almost impossible not to jump in your seat. But that doesn't leave any effect on you when you leave the movie theater. To me, the best horror is psychological horror. The Exorcist, The Shining, The Omen, things that kind of stick with you long after you've seen them. It's what you don't see. It's letting the audience think a little bit, not spelling it out for them. Giving them credit for using their own imaginations rather than sticking in gags and tricks.
The history of our times calls to mind those Walt Disney characters who rush madly over the edge of a cliff without seeing it, so that the power of their imagination keeps them suspended in mid-air; but as soon as they look down and see where they are, they fall.
The stomach is the seat of all feeling. The heart is the seat of the conscience. The mind is the seat of the ego. Your body is the seat of the soul. When a man goes out in the night and looks up at the universe, he is observing a mirror of himself. The universe within us, is a reflection of the universe we see out our eyes.
Leave everything. Leave Dada. Leave your wife. Leave your mistress. Leave your hopes and fears. Leave your children in the woods. Leave the substance for the shadow. Leave your easy life, leave what you are given for the future. Set off on the roads.
I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath there is a hidden theme. The result of each twist is that the judgment of the audience member is challenged.
If you use your imagination, you can look at any actress and see her nude... I hope to make you use your imagination.
Because for me it is almost analgesic to talk about what the white man is doing against us. And it keeps a person frozen in their seat, it keeps you frozen in your hole you’re sitting in.
If you are the kind of guy who draws in 100 million people to see his film, you've got every right to be paid accordingly, but I qualify as a character actor. I don't put a bum on a seat.
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