A Quote by Christopher Lloyd
I meet people on the street who literally chose their careers because they saw 'Back to the Future' and decided they wanted to be scientists or astronomers or engineers.
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When you meet your idols, I'm not one of those people - like if I saw Prince on the street, I wouldn't say anything. Because I'd want him to meet me. You want to meet people on the right terms or if there's a reason for you to meet.
To make any future that we dreamt up real requires creative scientists, engineers, and technologists to make it happen. If people are not within your midst who dream about tomorrow - with the capacity to bring tomorrow into the present - then the country might as well just recede back into the cave because that's where we're headed.
You and I are not Muslim, because we are born in a Muslim family. You and I are not Muslim, because you read a book about Islam, or saw a Youtube video and decided to become Muslim. We are Muslim, because Allah chose us. Allah chose us.
If we want scientists and engineers in the future, we should be cultivating the girls as much as the boys.
I saw young women in the street dressing in a way that I thought was influencing the designers. Fashion was being influenced by all sorts of different people, and culture and also across the street. So I saw more as a trickle up, than a trickle down influence. When I came to Vogue, that's what I wanted it to reflect.
I traveled for seven years, and when I came back home I was completely lost. I didn't know what to do with my life, so I decided to let people decide for me. For month I followed strangers on the street. For the pleasure of following, not because the party interested me. I photographed them without their knowledge, took note of their movements, and finally lost sight of them. At the end of January 1980, I chose a man and followed him to Venice. That's how I started. That's all.
I was a consultant for Kodak back in the late 80's. There were engineers there who told me that in the future, most photographs would be taken on telephones. They weren't able to do anything with that. They were engineers, not management.
People assumed we called the record 'Murray Street' because of its proximity to the World Trade Centre, but that wasn't it at all. Before the attacks, I had simply been walking around taking pictures of things, and I had this photograph of the street sign. We felt it was somewhat evocative and decided to use it on the back cover of the album.
I was having a hard time getting interest from future employers because of my physics background. It seemed all anyone wanted was engineers.
Ian Holloway played wingers higher up and then wanted us to come back and receive the ball; Dougie Freedman didn't want us to come back too much because he wanted us to attack; Tony Pulis made the team sit back so it was literally you against the full-back.
I don't think that they have many of the scientists who were involved in the weapons program to talk to at this time, and there were thousands of people, engineers and scientists, they know where the weapons are.
David Ayer was put on my map, at that point, and I always kept note and clocked his career. When he started directing, I saw Harsh Times, I saw Street Kings and I saw End of Watch. I gave my agents a list of directors that I wanted to work with, and at the top of that list was David. I wanted to have that experience.
When Henry Ford decided to produce his famous V-8 motor, he chose to build an engine with the entire eight cylinders cast in one block, and instructed his engineers to produce a design for the engine. The design was placed on paper, but the engineers agreed, to a man, that it was simply impossible to cast an eight-cylinder engine-block in one piece. Ford replied,''Produce it anyway.
I was like 14 and decided I wanted to be a rapper, so I needed a hip rapper name. I was with one of my friends in class and literally went through a thesaurus. I saw "temper" and thought, "I like this, but it's too much." My friend was like, "What about Tinie for tiny," and that was that.
When I decided to collaborate with people, I wanted to collaborate more with the underdogs, the street people, messing with the people like Jae Millz and Papoose. When I went to New York, they were all over the mixtapes, so I wanted to get down with those guys instead of trying to go safe with all the super-big names.
Radio astronomers are aware in the back of their minds that if there are other civilizations out there in space, it might be the radio astronomers who first pick up the signal.
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