A Quote by Christopher Lloyd
I tend to avoid things like award shows and panels and interviews, not remotely because I feel I'm above them or wish to cultivate the image of the intriguing recluse. I'm just not very good at them.
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I feel like the world is dominated by such a small group of human beings. There are so many different kinds of people that aren't represented, that don't have characters who look like them. And that's one of the reasons why I intend on being a director, because I want to actually tell some of these stories. I also think that we place such intense emphasis on award shows when they're not necessarily the best reflection of how good the work is. We need to realize that art and creation are so much bigger than an award or any measure of accomplishment.
I just feel like they're a network I have a good vibe with, and I'm very grateful. My first job with a network was 'General Hospital,' and that was ABC. I feel like I have so much history with them, that they treat their shows well, and they have good, discerning taste.
When you make a film and it wins some award at a very select, very difficult festival such as Cannes, it's good for your fellow film directors and fellow citizens too. Because it shows them that this way is a real possibility.
I go for a couple of parties; you won't find me at every film party and never at award ceremonies. I tried attending for the first three to four years, and I've performed at award shows. I sat in them, and I've also exited pretty fast from them. It's just not my place. I'd rather get their adulation in a cinema hall.
If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.
I try to cultivate friendships, because they are great assets. And I tend to make them last over time. Nevertheless sometimes they end mysteriously and you don't really know for what reason. Just like loves.=
When people say something to you, they're projecting what they actually feel inside, so you just have to wish them luck, wish them well, send them love.
There's no regret. You can't regret. I mean, I've felt regret but I've also refused to allow regret to sow a seed and live in me because I don't believe it. You feel it, it's like guilt, it's like jealousy, it's like all those horrible things. You've just got to snip them and get them out, because they're no good.
wishes for sons by Lucille Clifton i wish them cramps. i wish them a strange town and the last tampon. I wish them no 7-11. i wish them one week early and wearing a white skirt. i wish them one week late. later i wish them hot flashes and clots like you wouldn't believe. let the flashes come when they meet someone special. let the clots come when they want to. let them think they have accepted arrogance in the universe, then bring them to gynecologists not unlike themselves.
I have observed that male writers tend to get asked what they think and women what they feel," she says. "In my experience, and that of a lot of other women writers, all of the questions coming at them from interviewers tend to be about how lucky they are to be where they are – about luck and identity and how the idea struck them. The interviews much more seldom engage with the woman as a serious thinker, a philosopher, as a person with preoccupations that are going to sustain them for their lifetime.
I think basically, there are some bands and acts who feel the need to cultivate a persona or act a certain way or get quotes or whatever, because they feel like that helps them get promotion, and I feel like we're a band who have always just made music that we love and kept ourselves to ourselves and got on with it.
I don't usually read reviews. I usually read the interviews, just because I figure it's a good way to try to do them better if I ever have to do them again.
Whatever will happen will happen, but choose your companions with care. Choose them because you like to look at them and you like the sound of their voices, and they have profound secrets in them that you wish to know. In other words, choose them because you love them. Otherwise you will not be able to bear their company for very long.
Some of you may feel that you are not as attractive and beautiful and glamorous as you would like to be. Rise above any such feelings, cultivate the light you have within you, and it will shine through as a radiant expression that will be seen by others. You need never feel inferior. You need never feel that you were born without talents or without opportunities to give them expression. Cultivate whatever talents you have, and they will grow an? refine and become an expression of your true self appreciated by others.
I tend to avoid interviews, I don't have a publicist and fear of failure is still very much alive in my personal life.
I wish I could write about shows outside New York. I often feel like the last person to know anything, because I almost never get to leave town, and when I do, I tend to go for three days max. Seeing between 30 and 40 shows a week in 100 or so galleries and museums takes up nearly all my time.
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