A Quote by Christopher Lloyd
A lot of things you just stumble into: relationships or ways of putting characters opposite one another that really worked. So then it's not always so much about imitating other people, but imitating yourself, at least in your thinking.
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Now, we're just imitating and imitating and imitating what we've done before. The real revolution on how we make clothes and how we wear clothes is about to come. I don't know if we should be afraid or not. That's when we're going to see a Steve Jobs in the industry.
If you find yourself imitating another writer, that doesn't have to be a bad thing, especially if you are a young or a new writer. However, you should be conscious of exactly how you are imitating him - word choice, sentence structure, motifs? - and think about why you're doing it.
When you try to talk about yourself, you dont know who you are, or what your like, or what your like to other people. And the moment you do it's a formula for yourself, and then you're imitating yourself, and then nobody likes you and they dont know why.
Buddhism is all about finding your own way, not imitating the ways of others or even the ways of Buddha himself.
The paperless office is possible, but not by imitating paper. Note that the horseless carriage did not work by imitating horses.
What interests Sam Mendes are characters and relationships, and he was a genius at giving you the freedom to create the type of character you want, and also to explore and have fun with your fellow actors. For him, characters and relationships are really the heartbeat of the film, and then the action is the backdrop. By developing the characters, he makes you care that much more about the action and going on a journey with the characters.
Salvation lies in imitating Christ, in other words, in imitating the 'withdrawal relationship' that links him with his Father... To listen to the Father's silence is to abandon oneself to his withdrawal, to conform to it.
Having to think so much about fictitious relationships that work or don't work, and with each relationship between characters managing to do one or other of those in its own peculiar way, I spend a lot of time thinking about relationships, real and imagined.
An actor is supposed to emulate life. Instead, alas, many are imitating other actors. You don't fashion your knowledge of theatre or your approach to a role on the basis of what other actors have done. This kind of thinking is a great danger, especially in dealing with TV producers who frequently say things like, 'This is a Sean Connery type.'
I do like moving my legs a lot, like maybe moon walk-y things. I don't have like one move, because I try as much as I can. But I just love imitating impossible things that dancers do.
There's always pressure, from other people and yourself. If you're happy with the looks you're born with, then what are you going to do your whole life? We keep thinking up new things and finding better ways of doing things because we're not happy with what we're given.
When I think about [characters], I like to think of them in their relationships to each other. In the same way, I think that's how humans are ultimately defined. We are our relationships to one another. And a lot of what's interesting about us happens in the context of other people.
Art imitating life and life imitating art, and it's beyond the job - it will always be a marked period in my life.
I guess historically, drag queens were imitating movie stars and luminaries. It's kind of nice to have a movie star imitating a drag queen.
The average person might articulate them differently, but we all think about interpersonal relationships in one way or another. Writers just express that in different ways and capture it in different ways. To some degree, we're all thinking about the same things. It's the zeitgeist. The trick, in a way, as a writer, is to hope that your interests in some sense link up with the culture around you.
When you're learning, especially to write, unless you're some incredibly gifted writer, a young Malcom Gladwell, say, you need to be imitating people. You need to be imitating how they make their work, how they structure it, how they design the pieces. It gives you chops; it gives you moves.
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